Adam Smyth is een vooraanstaand literatuurwetenschapper wiens werk diep ingaat op de literatuurgeschiedenis en tekstuele cultuur. Zijn onderzoek richt zich op hoe boeken fysiek werden gemaakt, hoe ze evolueerden en hun impact op ons begrip van literatuur. Smyths interesse in 'materiële teksten' onthult een fascinatie voor hoe de vorm van een boek de betekenis ervan vormgeeft. Zijn essays voor de London Review of Books en zijn academische geschriften bieden inzichtelijke perspectieven op de voortdurend veranderende relatie tussen mensen en het geschreven woord.
What was a book in early modern England? Material Texts in Early Modern England focuses on neglected bibliographical cultures, including cutting, destruction, recycling, and errors. It explores how authors including Herbert, Milton, and Cavendish responded to this rich bibliographical context.
Books tell all kinds of stories - romances, tragedies, comedies - but if we learn to read the signs correctly, they can tell us the story of their own making too. This is the first history of the world's most important object, told through thirteen dynamic portraits of the individuals who helped to define it. Books have undergone a remarkable evolution in production, commerce and style, ultimately serving to challenge the way we think about life and the world around us. They have transformed humankind from primates to thinkers, scholars and storytellers by enabling the creation of documentation and entertainment, and encouraging the democratisation of learning. Yet we know little about the individuals who brought these fascinating objects into existence and of those who first experimented in the art of printing, design and binding. Who were the renegade book-makers who changed the course of history? From Caxton's first printings of The Canterbury Tales to Nancy Cunard's avant-garde pamphlets produced on her small press in Normandy, Adam Smyth explores the lives of these early innovators in order to understand how books have been introduced to new readers, bought, sold and borrowed, and the invention of new technologies which transformed the landscape of the printing press.