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Rebecca Sampson

    Rebecca Sampson's fotografie duikt in thema's van identiteit en herinnering, waarbij ze de visuele taal van het medium onderzoekt om complexe menselijke ervaringen vast te leggen en te interpreteren. Haar werk creëert sfeervolle beelden die kijkers uitnodigen om na te denken over hun eigen percepties van de wereld. Sampson's artistieke benadering is geworteld in nauwgezette observatie en een constante zoektocht naar nieuwe manieren om het ongrijpbare visueel uit te drukken. Ze staat bekend om haar kenmerkende stijl die de grenzen tussen documentatie en artistieke interpretatie vervaagt.

    A Frocodile Ate My Socks
    Apples for sale
    • In Apples for Sale, Rebecca Sampson (*1984) sheds light on the life of Indonesian housemaids, who work in Hong Kong as second-class migrants and live under precarious conditions in a parallel female society. In an exclusively female social environment, they begin a sort of role play, in which the male roles of tomboys are assumed and lovingly decorated dolls replace missing children. Since the domestic workers are only allowed to move freely around Hong Kong one day a week, their social and cultural sphere is increasingly shifted to the virtual world of Facebook. There, no limits are put on their living out their personality individually. The new publication gives viewers 360-degree access to this unique and unsettling world.

      Apples for sale
    • The whimsical tale explores the mystery of disappearing socks, engaging young readers with its imaginative premise. It cleverly addresses a common household dilemma, appealing to both children and their parents. Through its playful narrative, the story invites laughter and curiosity, making it a delightful read for families.

      A Frocodile Ate My Socks