Michael Koortbojian Boeken

The book explores the transformation of Julius Caesar and Augustus into divine figures during the early Roman Empire. It delves into the processes and implications of their divinization, highlighting how this shift influenced Roman culture, politics, and religion. Through an analysis of historical events and societal changes, it sheds light on the significance of imperial cults and the establishment of divine authority in shaping the Roman identity.

Focusing on the evolution of Rome from Caesar to Constantine, the book explores the interplay between civic and military realms, particularly through the concept of the "pomerium," a boundary symbolizing their distinction. Koortbojian analyzes how Rome's legal, political, and military frameworks adapted to challenges such as civil war, while maintaining established religious practices. This examination reveals the intricate relationship between law, politics, and military life, illustrating a narrative of continuity and change throughout three centuries of Roman dominance in the Mediterranean.

This book assesses the role of relief in the representation of space in Graeco-Roman artistic practice and its study – from Winckelmann to the mid-twentieth century – when Classical art developed as a theoretical discipline. The role of relief in the history of ancient sculpture has long been acknowledged, yet the problems posed by an engagement with the representation of space have not been a subject of specific and sustained inquiry. Neither a conventional history nor a comprehensive historiography, this book traces the study of relief – of its formal character, its artistic purpose, its aesthetic significance, and its historical treatment. The contribution to scholarship is three-fold: (1) By means of a wide array of examples, the book demonstrates that the visual strategies employed to represent space during the Graeco-Roman period were a continuously evolving repertory tied to the refinement of techniques and the transformation of styles that those techniques brought into being. (2) It examines ideas now commonplace, based on scholarship now long-neglected if not completely forgotten. And (3) it reveals how competing interpretations of the representation of space in relief elaborated new approaches to the monuments and their representations.