Simon Murray Boeken

Eyewear evolved from a functional item to a stylish fashion statement in the 20th century, showcasing a significant shift in design. This sourcebook presents an extensive collection of vintage glasses, highlighting the best of 20th- and 21st-century styles, drawn from Simon Murray's decades of collecting from various sources worldwide. Additionally, it features futuristic eyewear, extending the exploration of spectacle design into the 2020s and beyond, making it a comprehensive resource for enthusiasts and fashion lovers alike.

At just 19, Simon Murray embarked on a transformative journey from England to Paris and then to Algeria, where he joined the French Foreign Legion for five years. His firsthand account offers a gripping exploration of the challenges and camaraderie faced by this legendary group of soldiers, providing readers with an intimate look at military life and the personal growth that comes from such a profound experience.

Focusing on non-text-based theatre, this new edition offers a comprehensive overview of various forms, including experimental dance and traditional mime. It integrates history, theory, and practice, making it an essential resource for both students and performers. The book highlights the dynamic and innovative nature of physical theatre, providing critical insights into this core area of study.

Focusing on Jacques Lecoq's teaching and philosophy, this volume highlights his profound impact on twentieth-century actor training and theatre. It explores his innovative methods and the lasting influence he had on the theatrical landscape, emphasizing his significance in shaping performance art during that era.

Exploring the evolution of mime and physical theatre in the UK from the 1970s to 2000, this book examines the interplay of social, political, cultural, artistic, and economic factors that shaped its rise, success, and eventual decline. It provides a comprehensive analysis of how these forces influenced the art form, offering insights into its significance within the broader theatrical landscape.

Exploring the intersection of performance and decay, the book examines cultural events staged in sites of abandonment across various countries, including the UK and Bosnia Herzegovina. It focuses on modern economic ruins and war-torn landscapes, featuring case studies derived from the author's extensive fieldwork and interviews with artists. The text situates these performances within the broader context of Ruin Studies, analyzing the motivations behind using ruined spaces and the dramaturgical implications of such choices in relation to time, politics, and culture.