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Daniel Alarcón

    5 maart 1977

    Daniel Alarcón creëert fictie en non-fictie die zich verdiepen in het ingewikkelde weefsel van identiteit en geheugen, vaak puttend uit zijn Peruaanse erfgoed. Zijn schrijven onderzoekt de complexiteit van de postkoloniale ervaring met een scherp oog voor de nuances van menselijke relaties. Alarcóns kenmerkende stem biedt diepgaande inzichten in het psychologische landschap van zijn personages.

    City of Clowns
    At Night We Walk in Circles. Des Nachts gehn wir im Kreis, englische Ausgabe
    The King Is Always Above the People
    American Odysseys
    At Night We Walk in Circles
    Lost City Radio
    • `Lost City Radio' is a poignant and deeply moving novel from a promising new author, which looks intensely at war's damaging effect on society and the individual.

      Lost City Radio
    • FINALIST FOR THE PEN/FAULKNER AWARD FOR FICTION LONGLISTED FOR THE DYLAN THOMAS PRIZE A breathtaking, suspenseful search for the truth of one man's spectacular downfall, from Daniel Alarcon, one of the New Yorker's 20 best writers under 40.

      At Night We Walk in Circles
    • American Odysseys

      • 591bladzijden
      • 21 uur lezen
      3,1(8)Tarief

      American Odysseys is an anthology featuring twenty-two immigrant writers, including notable figures like Dinaw Mengestu and Téa Obreht. Their diverse works range from realism to fantasy, showcasing the richness of American literature and highlighting the contributions of immigrants to the literary landscape.

      American Odysseys
    • The King Is Always Above the People

      • 256bladzijden
      • 9 uur lezen
      3,6(33)Tarief

      Longlisted for the National Book Award for Fiction An unforgettable collection of stories from Daniel Alarcon, one of the New Yorker's 20 best writers under 40, and one of the best storytellers of our time.

      The King Is Always Above the People
    • The breakout novel from a prizewinning young writer: a “surrealistic tour de force” (O, The Oprah Magazine) about one man’s obsessive search to find the truth of another man’s downfall. Nelson’s life is not turning out the way he hoped. His girlfriend is sleeping with another man; his brother has left their South American country, leaving Nelson to care for their widowed mother; and his acting career can’t seem to get off the ground. That is, until he lands a starring role in a touring revival of The Idiot President, a legendary play by Nelson’s hero, Henry Nuñez, leader of the storied guerrilla theater troupe Diciembre. And that’s when the real trouble begins. Nelson’s fate is slowly revealed through the investigation of the narrator, a young man obsessed with Nelson’s story—and perhaps closer to it than he lets on. In sharp, vivid, and beautiful prose, Alarcón delivers a compulsively readable narrative and a provocative meditation on fate, identity, and the large consequences that can result from even our smallest choices.

      At Night We Walk in Circles. Des Nachts gehn wir im Kreis, englische Ausgabe
    • City of Clowns

      • 138bladzijden
      • 5 uur lezen
      3,7(704)Tarief

      Oscar "Chino" Uribe is a young Peruvian journalist for a local tabloid paper. After the recent death of his philandering father, he must confront the idea of his father's other family, and how much of his own identity has been shaped by his father's murky morals. At the same time, he begins to chronicle the life of street clowns, sad characters who populate the violent and corrupt city streets of Lima, and is drawn into their haunting, fantastical world.

      City of Clowns
    • Este libro recoge las historias de una serie de personajes cuyas vidas carecen de heroísmo. Y sin embargo, en todas ellas vibran, soterradas, la violencia y la voluntad de rebelión ante una figura paterna o paternalista, hacia el poder en cualquiera de sus formas. Los cuentos de Alarcón están profundamente arraigadas en las realidades sociopolíticas de América Latina. En "El Puente", por ejemplo, se analiza la muerte de una pareja pobre que vive en un barrio pobre de una extensa ciudad imaginaria. En la historia del título, un joven deja su pueblo de provincia y se dirige a la ciudad con la esperanza de escapar. Alarcón describe con ironía y humor la pobreza, las injusticias políticas, traiciones, sueños rotos, y las intrigas de la familia

      El rey siempre esta por encima del pueblo
    • Ein südamerikanisches Land, zerrissen nach dem Ende eines blutigen Bürgerkriegs. Eine Frau, ein Mann und ein Kind, deren Lebensgeschichten sich auf unvorhersehbare Weise miteinander verbinden. Die Frau, Norma, moderiert eine Radiosendung, in der die Zuhörer nach ihren Vermissten suchen können. Als Victor, ein Junge aus einem Dschungeldorf, eine Liste mitbringt, die Norma in ›Lost City Radio‹ vorlesen soll, entdeckt sie auch den Namen von Rey, ihrem Mann, der seit zehn Jahren verschwunden ist. Was weiß sie von Rey? Wer war er? Am Ende hält sie die Schlüssel zu den Ereignissen im Dschungel in der Hand und muss eine schwerwiegende Entscheidung treffen.

      Lost-City-Radio