Qiufan Chen Boeken

"Mimi is a 'waste girl', a member of the lowest caste on Silicon Isle. Located off China's southeastern coast, Silicon Isle is the global capital for electronic waste recycling, where thousands like Mimi toil day and night, hoping one day they too will enjoy the wealth they've created for their employers, the three clans who have ruled the isle for generations. Luo Jincheng is the head of one of these clans, a role passed down from his father and grandfather before him. As the government enforces tighter restrictions, Luo in turn tightens the reins on the waste workers in his employ. Ruthlessness is his means of survival. Scott Brandle has come to Silicon Isle representing TerraGreen Recycling, an American corporation that stands to earn ungodly sums if they can reach a deal to modernize the island's recycling process. Chen Kaizong, a Chinese American, travels to Silicon Isle as Scott's interpreter. There, Kaizong is hoping to find his heritage, but finds more questions instead. The home he longs for may not exist. As these forces collide, a dark futuristic virus is unleashed on the island, and war erupts between the rich and the poor; between Chinese tradition and American ambition; between humanity's past and its future"-- Provided by publisher

Broken Stars, edited by Ken Liu, is his second anthology of Chinese short speculative fiction, following Invisible Planets. This collection is the most comprehensive yet available in English, showcasing a thrilling array of stories that reflect the burgeoning interest in Chinese science fiction. It features both well-known authors like Liu Cixin and Hao Jingfang, as well as those making their English-language debut. Most stories were originally published in Chinese during the 2010s and range from short-shorts to novellas, evoking a wide emotional spectrum. The anthology includes familiar subgenres such as hard SF, cyberpunk, and space opera, while also delving into narratives deeply rooted in Chinese culture, including alternate histories and time travel. It does not claim to be "representative" or "comprehensive," but it highlights the vibrancy and diversity of contemporary Chinese science fiction. Additionally, three essays at the end explore the history of Chinese science fiction publishing, the current state of fandom, and the impact of growing interest in the genre on previously obscure writers. This collection promises to captivate readers eager to explore the richness of Chinese speculative fiction.