Johannes C. de Moor Boeken

In Old Testament exegesis a gap is widening between the adherents of the "diachronic", historical-critical approach and those who out of dissatisfaction with both the results and the methods of this "classical" approach opt for a wide variety of "synchronic" approaches. The Ninth Joint Meeting of the Dutch "Oudtestamentisch Werkgezelschap" and the British "Society for Old Testament Study", held at Kampen 28-31 August 1994, brought together partisans from both camps who engaged in a most interesting and fruitful debate on one of the major methodological issues confronting modern O.T. scholarship. This volume contains the papers read as well as some reports from the workshops. With indices of texts and subjects.

The Israelite prophets as historical persons, as literary characters and as anonymous artists. Whereas modern methods of literary analysis have brought the artistic qualities of the books of the Prophets increasingly into focus during the past century, various modes of deconstruction have made the historical prophets themselves an ever more elusive phenomenon. Passages in the Old Testament describing their work and experiences are not read as biography anymore, but as literary fiction intended to picture the prophets as heroes of faith. The real 'prophets' were the anonymous artists who were responsible for the final editing of the legacy of the historical prophets and who often used the authority of their predecessors to promulgate their own theological views. This volume brings together studies about this theme by members of the British and Dutch societies for Old Testament study. Attempts to recover some of the biographical data and authentic experiences of the prophets alternate with penetrating analyses of the theological depth and stylistic virtuosity of the prophetic books.The volume will be particularly useful to all those interested in the interpretation of the prophetic books of the Old Testament.

Who were the prophets of Israel? Historically spoken the prophets have become elusive personalities. In this volume they are rediscovered as literary characters drawn by the gifted artists and theologians who shaped the prophetic books of the Old Testament.

In the politico-religious history of the Deuteronomists, past, present and future mingle in an often inextricable way. Long obsolete traditions, which had been unacceptable to the Davidic dynasty, were rediscovered and adapted to the aims of the Deuteronomists. Personages of the past werecondemned and blackened in the light of the new ideology, whereas others were glorified and embellished as heroes of faith because their ideas suited the historians.This inevitably raises the question whether the Bible can be trusted as a source book for writing a history of Israel. Apparently not, say scholars like T.L. Thompson, P.R. Davies and N.P. Lemche. In this volume a number of authors take up this challenge, stating that the radical rejection of the biblical testimony in favour of a history based mainly on archaeology is ill-advised.Several contributions to this volume draw instructive parallels between the process of re-writing the history of South Africa and the work of the Deuteronomists.