Exploring the intersection of gender and Buddhism, Bernard Faure examines whether Buddhism serves as a source of liberation or limitation for women. Building on his previous work, he shifts focus from male monastic sexuality to the roles and perceptions of women within Buddhist contexts. Faure challenges common assumptions, suggesting that Buddhism's stance on gender is more complex than typically portrayed, prompting a reevaluation of what is often accepted as a singular understanding of Buddhism.
Exploring the mental universe of Soto Zen master Keizan Jokin, this work delves into the complexities of Chan/Zen Buddhism through a postmodern lens. Rather than presenting Keizan as a singular thinker, Faure illustrates him as a cultural representative, embodying the paradoxes of the Soto school. The narrative contrasts the rationality of Chan/Zen doctrine with the rich, mythical psychological landscape in which Keizan existed, paralleling the experiences of his contemporary, Dante Alighieri.
Examining Chan/Zen from a postmodern perspective, Bernard Faure critiques traditional Orientalist views that either caricature or idealize Eastern thought, revealing overlooked complexities in Chan traditions. He explores how both Western and Eastern assumptions, including those of D. T. Suzuki, have distorted the understanding of Chan. The book discusses the historical influence of Jesuit missionaries, the interplay between Chan and local religions, and key concepts like temporality and self. It serves as a critical introduction to both Buddhist traditions and contemporary human sciences.
Exploring Buddhism's complex relationship with sexuality, this study examines the paradoxes within its teachings from the time of its founder, Xvkyamuni, through to the premodern era. Bernard Faure employs an anthropological lens to highlight the discrepancies between the religion's normative doctrines and the actual practices of its followers, providing a comprehensive overview of this often overlooked aspect of Buddhist discourse.
"Many biographies of the Buddha have been published in the last 150 years, and all claim to describe the authentic life of the historical Buddha. This book, written by one of the leading scholars of Buddhism and Japanese religion, starts from the opposite assumption and argues that we do not yet possess the archival and archeological materials required to compose such a biography: All we have are narratives, not facts. Yet traditional biographies have neglected the literary, mythological, and ritual elements in the life of the Buddha. Bernard Faure aims to bridge this gap and shed light on a Buddha that is not historical but has constituted a paradigm of practice and been an object of faith for 2,500 years. The Thousand and One Lives of the Buddha opens with a criticism of the prevalent historicism before examining the mythological elements in a life of the Buddha no longer constrained by an artificial biographical framework. Once the search for the "historical Buddha" is abandoned, there is no longer any need to limit the narrative to early Indian stories. The life-or lives-of the Buddha, as an expression of the creative imaginations of Buddhists, developed beyond India over the centuries. Faure accordingly shifts his focus to East Asia and, more particularly, to Japan. Finally, he examines recent developments of the Buddha's life in not only Asia but also the modern West and neglected literary genres such as science fiction"-- Provided by publisher
Focusing on the Northern school of early Chan (Zen) Buddhism, this book presents a groundbreaking revision of its history, emphasizing its unique genealogy and doctrinal developments. By challenging established scholarship, it offers new insights into the evolution of this influential strain of Buddhism during the pivotal period around the eighth century.
An ideal introduction to Buddhism for anyone who has unanswered questions about one of the world's largest and most popular religions. A fascinating, short book that challenges us to strip away existing preconceptions we may have about Buddhism Considers questions such as: Can we talk of Buddhism as a unified religion or are there many Buddhisms? Is Buddhism a religion of tolerance and pacifism as many people think? And is Buddhism a religion without god(s), or is it more of a philosophy than a religion? Traces the basic history, beliefs and nature of Buddhism in easy-to-understand language Written by renowned Buddhist scholar, Bernard Faure, it is an ideal introduction for anyone who has unanswered questions about one of the world's largest and most popular religions
Written by one of the leading scholars of Japanese religion, Protectors and Predators is the second installment of a multivolume project that promises to be a milestone in our understanding of the mythico-ritual system of esoteric Buddhism--specifically the nature and roles of deities in the religious world of medieval Japan and beyond. Bernard Faure introduces readers to medieval Japanese religiosity and shows the centrality of the gods in religious discourse and ritual. Throughout he engages theoretical insights drawn from structuralism, post-structuralism, and Actor-Network Theory to retrieve the "implicit pantheon" (as opposed to the "explicit orthodox pantheon") of esoteric Japanese Buddhism (Mikkyō). His work is particularly significant given its focus on the deities' multiple and shifting representations, overlappings, and modes of actions rather than on individual characters and functions. In Protectors and Predators Faure argues that the "wild" gods of Japan were at the center of the medieval religious landscape and came together in complex webs of association not divisible into the categories of "Buddhist," "indigenous," or "Shinto." Furthermore, among the most important medieval gods, certain ones had roots in Hinduism, others in Daoism and Yin-Yang thought. He displays vast knowledge of his subject and presents his research--much of it in largely unstudied material--with theoretical sophistication. His arguments and analyses assume the centrality of the iconographic record as a complement to the textual record, and so he has brought together a rich and rare collection of more than 170 color and black-and-white images. This emphasis on iconography and the ways in which it complements, supplements, or deconstructs textual orthodoxy is critical to a fuller comprehension of a set of medieval Japanese beliefs and practices and offers a corrective to the traditional division of the field into religious studies, which typically ignores the images, and art history, which oftentimes overlooks their ritual and religious meaning. Protectors and Predators and its companion volumes should persuade readers that the gods constituted a central part of medieval Japanese religion and that the latter cannot be reduced to a simplistic confrontation, parallelism, or complementarity between some monolithic teachings known as "Buddhism" and "Shinto." Once these reductionist labels and categories are discarded, a new and fascinating religious landscape begins to unfold.
Written by one of the leading scholars of Japanese religion, The Fluid Pantheon is the first installment of a multivolume project that promises to be a milestone in our understanding of the mythico-ritual system of esoteric Buddhism—specifically the nature and roles of deities in the religious world of medieval Japan and beyond. Bernard Faure introduces readers to medieval Japanese religiosity and shows the centrality of the gods in religious discourse and ritual; in doing so he moves away from the usual textual, historical, and sociological approaches that constitute the “method” of current religious studies. The approach considers the gods (including buddhas and demons) as meaningful and powerful interlocutors and not merely as cyphers for social groups or projections of the human mind. Throughout he engages insights drawn from structuralism, post-structuralism, and Actor-network theory to retrieve the “implicit pantheon” (as opposed to the “explicit orthodox pantheon”) of esoteric Japanese Buddhism (Mikkyō). Through a number of case studies, Faure describes and analyzes the impressive mythological and ritual efflorescence that marked the medieval period, not only in the religious domain, but also in the political, artistic, and literary spheres. He displays vast knowledge of his subject and presents his research—much of it in largely unstudied material—with theoretical sophistication. His arguments and analyses assume the centrality of the iconographic record, and so he has brought together in this volume a rich and rare collection of more than 180 color and black-and-white images. This emphasis on iconography and the ways in which it complements, supplements, or deconstructs textual orthodoxy is critical to a fuller comprehension of a set of medieval Japanese beliefs and practices. It also offers a corrective to the traditional division of the field into religious studies, which typically ignores the images, and art history, which oftentimes overlooks their ritual and religious meaning. The Fluid Pantheon and its companion volumes should persuade readers that the gods constituted a central part of medieval Japanese religion and that the latter cannot be reduced to a simplistic confrontation, parallelism, or complementarity between some monolithic teachings known as “Buddhism” and “Shinto.” Once these reductionist labels and categories are discarded, a new and fascinating religious landscape begins to unfold.
