Dubravka Ugrešić Boeken

Ironisch, speels, vol dubbele bodems en een waanzinnig, niet na te vertellen plot; zo kan men deze roman omschrijven. Het verhaal begint met de dood van een Spaanse dichter die uitglijdt op de rand van het zwembad in het Intercontinentale Hotel en vervolgens ontketent zich een reeks hilarische en mysterieuze gebeurtenissen. Spionage, Oost-Europese ambtenarij, seksuele intriges, moord en bekoorlijke staaltjes van literaire gewicht hefferij geven een ongekende kleur aan een schrijvers congres in Zagreb, dat zoals alle schrijvers congressen waar ter wereld ook niet interessant, vooral middelmatig en clichématig dreigt te verlopen. Aan de zijlijn en op grote afstand ontmoet de lezer de Amerikaan Marc Stenheim en zijn vriend Pipo Fink, die zich tegoed doen aan grote hoeveelheden drank, ondertussen zwelgend in minderwaardigheidscomplexen over eigen schrijverij. Dit is de perfecte satire- en sleutelroman op de beperkingen en absurditeiten van het schrijvers schap en tegelijkertijd een meesterlijk voorbeeld van postmoderne literatuurtheorie. En onderhoudend, amusant, leesbaar... dat vooral ook.

From one of Europe's premier essayists and cultural critics, a new collection about our troubling political times

The Culture of Lies is one of the most intelligent and lucid accounts of an appalling episode in history. It shows us the banality and brutality of nationalism and the way that nationalistic ideology permeates every pore of life. Ugresic's acerbic and penetrating essays cover everything from politics to daily routine, from public to private life. With a diverse and unusual perspective, she writes about memory, soap operas, the destruction of everyday life, kitsch, the conformity of intellectuals, propaganda and censorship, the strategies of human manipulation and the walls of Europe which, she argues, never really did fall. Shot through with irony and sadness, satirical protest and bitter melancholy, The Culture of Lies is a gesture of intellectual resistance by a writer branded "a traitor" and "a witch" in Croatia.

The Museum of Unconditional Surrender—by the renowned Yugoslavian writer Dubravka Ugresic—begins in the Berlin Zoo, with the contents of Roland the Walrus's stomach displayed beside his pool (Roland died in August, 1961). These objects—a cigarette lighter, lollipop sticks, a beer-bottle opener, etc.—like the fictional pieces of the novel itself, are seemingly random at first, but eventually coalesce, meaningfully and poetically.Written in a variety of literary forms, The Museum of Unconditional Surrender captures the shattered world of living in exile. Some chapters re-create the daily journal of the narrator's lonely and alienated mother, who shops at the improvised flea-markets in town and longs for her children; another is a dream-like narrative in which a circle of women friends are visited by an angel. There are reflections and accounts of the Holocaust and the Yugoslav Civil War; portraits of European artists; a recipe for Caraway Soup; a moving story of a romantic encounter the narrator has in Lisbon; descriptions of family photographs; memories of the small town in which Ugresic was raised.Addressing the themes of art and history, aging and loss, The Museum is a haunting and an extremely original novel. In the words of the Times Literary Supplement, "it is vivid in its denunciation of destructive forces and in its evocation of what is at stake."

Taking us on travels through Europe, and across to the US, this book offers perspectives on literature, geopolitics, East and West. It also says that while the Eastern bloc is gripped by Western modernization, the West is becoming increasingly Sovietized, with Internet banking, speed dating and automatic supermarket checkouts.

First new novel in almost a decade from one of Europe's most inventive, boundary-pushing, feminist authors.

The pieces collected in Lend Me Your Character—the novella "Steffie Cvek in the Jaws of Life" and a collection of short stories entitled Life Is a Fairy Tale— solidify Dubravka Ugresic's reputation as one of Eastern Europe's most playful and inventive writers. From the story of Steffie Cvek, a harassed and vulnerable typist whose life is shaped entirely by clichés as she searches relentlessly for an elusive romantic love in a narrative punctuated by threadbare advice from women's magazines and constructed like a sewing pattern, to "The Kharms Case," one of Ugresic's funniest stories ever about the strained relationship between a persistent translator and an unresponsive publisher, the pieces in this collection are always smart and endlessly entertaining.

Ugresic, ever the flaneur, wanders from the Midwest to Zuccotti Park, the Irish Aran Islands to Jerusalem's Mea Shearim, from the tristesse of Dutch housing estates to the riots of South London, charting everything from the listlessness of Central Europe to the ennui of the Low Countries. One finger on the pulse of an exhausted Europe, another in the wounds of post-industrial America, Ugresic trawls the fallout of political failure and the detritus of popular culture, mining each for revelation.

Finalist for the NBCC Award in Criticism, this collection is riotous, especially the piece about smashing a minibar.

Tanja Lucic teaches at the University of Amsterdam and lives on the edge of the city's red light district. She and her pupils, fleeing the violent break-up of their homeland Yugoslavia, have found temporary refuge in the Department of Slavonic Languages.