Hra rakouského dramatika Schnitzlera z konce 19. století je obrazem Vídně své doby, podobně jako díla malířů Klimta a Schieleho. Dlouho čekala na uvedení, její premiéra byla pochopena jako veliký skandál. Tvoří ji deset dialogů mužů a žen ze všech společenských vrstev, které vždy končí sexem. Pod „milostnými dialogy“ se skrývá ostře kritický pohled na společnost v mnoha podobách.
Ulenspiegel lives happily in Koolkerke, cherished by a farmer's widow who gives him everything. His contentment is disrupted when a rival, an alderman, ambushes him one morning outside a tavern, intent on violence. In a bid to defuse the situation, Ulenspiegel retaliates by throwing the alderman into a duck-pond, leaving him soaked and humiliated. This narrative, rooted in European folklore and mythology, unfolds as a romantic drama exploring human vice and virtue through the adventures of Tyl Ulenspiegel—an artist, prankster, and fool. Originally published in 1867, this 1918 English translation by Geoffrey Whitworth presents a saga filled with witches, martyrs, and heroism, reflecting the hearty and generous spirit of the Flemish people. The story vividly portrays 16th-century Flemish life and resilience amidst the brutality of the Spanish Inquisition, marking it as a seminal work in Belgian literature that embodies the nation's honor and courage. This classic appeals to readers of European literature and those interested in myth and folklore.
