Death, homosexuality and the spiritual emptiness of post-war Japan: these are the often shocking subjects which Mishima explores. The old world meets the new in this collection of fiction and drama by one of Japan's most celebrated writers. A husband prepares to commit hara-kiri in the name of patriotism; an ascetic struggles with temptation; and a businessman meets a past love in the streets of San Francisco. Violence colours the work of Mishima, as it did his life. But there is also delicate observation, pathos, humour and irony in these beautifully crafted tales. Contents: - Death in Midsummer - Three Million Yen - Thermos Flasks - The Priest of Shiga Temple and His Love - The Seven Bridges - Patriotism - Dōjōji - Onnagata - The Pearl - Swaddling Clothes
Edward Seidensticker Volgorde van de boeken (chronologisch)
Edward George Seidensticker was een vooraanstaand naoorlogs geleerde, historicus en befaamd vertaler van Japanse literatuur. Zijn werk was essentieel om klassieke en hedendaagse Japanse auteurs toegankelijk te maken voor westerse lezers. Seidensticker richtte zich op een diepgaand begrip van de Japanse cultuur en haar literaire erfgoed. Zijn vertalingen worden hoog gewaardeerd om hun getrouwheid en literaire waarde.




In Praise of Shadows
- 56bladzijden
- 2 uur lezen
Widely considered to be a classic, this essay on Japanese aesthetics by a major author ranges from the patina of lacquerware and the custom of moon-viewing to monastery toilets and the lighting in a brothel, while contrasting the Japanese sense of subtlety and nuance with Western imports such as electric lighting
Tokyo Rising
- 378bladzijden
- 14 uur lezen
A continuation of the author's history of Tokyo explains how the city recovered from both a major earthquake and Allied bombing raids in World War II
Low City, High City
- 302bladzijden
- 11 uur lezen
Certain conjunctions of time and place exert a special fascination--Paris in the twenties, turn-of-the-century Vienna, Weimar Berlin. Tokyo in the years between the Meiji Restoration and the Earthquake of 1923 is one of these. Until 1867 the city was called Edo--it was the shogun's capital, the biggest city in a country almost completely closed to the outside world for two and a half centuries. Then, helter-skelter, it became a modern metropolis brimming with Western fads, ideas, and technologies, exuberantly inventing and imitating even as it yearned for the past it was destroying. East and West met here as never before--or since.