Zoë Wicomb's literaire werk duikt in de complexiteit van raciale identiteit en menselijke relaties, vaak tegen de achtergrond van apartheid en het post-apartheid Zuid-Afrika. Haar kenmerkende stijl biedt een doordringende kijk op de psychologie van personages en een genuanceerde verkenning van persoonlijke geschiedenissen. Via haar romans en korte verhalen biedt ze diepgaande inzichten in individuen die worstelen met de erfenis van onderdrukking en hun plaats in de samenleving zoeken. Wicomb vangt meesterlijk de spanningen tussen verschillende werelden op en toont aan hoe ervaringen uit het verleden de huidige levens vormgeven.
A New York Times Top Historical Fiction Pick of 2020An inventive and genre- bending new novel from a master of the form, exploring race, the legacy of past exploitation and present-day authorship. Who should be remembered, and who should tell their story? .
The South African novel of identity that "deserves a wide audience on a par with Nadine Gordimer."
Set in a beautifully rendered 1990s Cape Town, Zoë Wicomb’s celebrated novel revolves around Marion Campbell, who runs a travel agency but hates traveling, and who, in post-apartheid society, must negotiate the complexities of a knotty relationship with Brenda, her first black employee. As Alison McCulloch noted in the New York Times, “Wicomb deftly explores the ghastly soup of racism in all its unglory—denial, tradition, habit, stupidity, fear—and manages to do so without moralizing or becoming formulaic.”Caught in the narrow world of private interests and self-advancement, Marion eschews national politics until the Truth and Reconciliation Commission throws up information that brings into question not only her family’s past but her identity and her rightful place in contemporary South African society. “Stylistically nuanced and psychologically astute” (Kirkus), Playing in the Light is as powerful in its depiction of Marion’s personal journey as it is in its depiction of South Africa’s bizarre, brutal history.
Unfolding in South Africa, at the moment of Nelson Mandela's release from prison in 1991, this novel explores the life and vision of a male activist through the pen of a female narrator. David Dirkse is part of the underground world of activists, spies and saboteurs in the liberation movement -- a world seldom revealed to outsiders. With 'time to think' after the unbanning of the movement, David is researching his roots in history of the mixed-race 'Coloured' people of South Africa and of their antecedents among the indigenous people and early colonial settlers. Provides compelling history that is vividly personal, through the powerful filter of storytelling. Through voices that weave together -- responding to, illuminating, and sometimes contradicting one another -- Wicomb depicts a world where 'truth upon conflicting truth wriggles into shape'. The dramatic and violent turns at the close of the novel further testify to the complexity of truth -- and of telling.
The first collection of nonfiction critical writings by one of the leading literary figures of post-apartheid South Africa
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