Anna Beer Boeken

"Before conjuring up an April 1564 christening in Holy Trinity Parish Church, Stratford-upon-Avon, the traditional starting point for a biography, a few words about my own ambivalence about writing Shakespeare's life. By all means, move straight to the baptismal register in Chapter One, or if it is the plays, and only the plays, that interest you, then head to Chapter Two when William Shakespeare begins his career as a dramatist. But, if the biographical project itself interests you - and it fascinates me almost but not quite as much as the plays themselves - then stay with this Prologue in which, inspired and provoked by Dutton's wry comment, I explore what happens when we, when I, attempt the impossible. Smith offers a powerful reminder of what's at stake. 'Shakespeare's stock is so high that to recruit him to your ideological team is a real coup.' Suddenly having the man on our team, not just his writing, becomes important. We feel the need to recruit the author himself, not just his works. This may be why biographies should still be attempted. Yes, any and all biographies are fictions, but the lives they tell were not. Our picture of Shakespeare the man is, in the end, created by the questions we ask of the archive we have, by the value we place on different kinds of documentation: those questions and values have, for centuries, been predominantly driven and informed by elite, white men. We need different eyes looking at Shakespeare. His plays matter to us, but what we write about the man matters too"-- Provided by publisher

The hidden history of the women who dared to write music in a man's world

A major historical biography: the dramatic, harrowing and contested story of Sir Walter Ralegh

John Milton was one of the world's greatest poets, the renowned author of Paradise Lost. But he was also deeply involved in political and religious controversies of his time, and authored a series of radical pamphlets on free speech, divorce, and civil rights that proposed a rethinking of the nature and practice of government. In countless biographies, Milton has been crudely sketched either as a blind, saintly artist or as a domestic tyrant. Yet as Anna Beer shows, he was neither ogre nor paragon. By closely examining all aspects of Milton's life and its social historical context, Beer succeeds in bringing an enigmatic pillar of English literature to life, four centuries after his birth.

The lives and achievements of eight women writers - a startling and unconventional history of literature

Oxford Literature Companions offer student-friendly support for A Level set texts. This guide to Hamlet is ideal for use in the classroom or for revision, providing insight into characterisation, contexts and critical views, along with activities that prompt a closer analysis of the writer's language and techniques.