Christopher Matthew Volgorde van de boeken

The backbone of classical Greek armies was the phalanx of heavily armoured spearmen, or hoplites. These were the soldiers that defied the might of Persia at Marathon, Thermopylae and Plataea and, more often, fought each other in the countless battles of the Greek city-states. For around two centuries they were the dominant soldiers of the Classical world, in great demand as mercenaries throughout the Mediterranean and Middle East. Yet, despite the battle descriptions of Herodotus, Thucydides, Xenophon etc, and copious evidence of Greek art and archaeology, there are still many aspects of hoplite warfare that are little understood or the subject of fierce academic debate.Christopher Matthew's groundbreaking reassessment combines rigorous analysis of the literary and archaeological evidence with the new disciplines of reconstructive archaeology, re-enactment and ballistic science. He focuses meticulously on the details of the equipment, tactics and capabilities of the individual hoplites. In so doing he challenges some long-established assumptions. For example, despite a couple of centuries of study of the hoplites portrayed in Greek vase paintings, Matthew manages to glean from them some startlingly fresh insights into how hoplites wielded their spears. These findings are supported by practical testing with his own replica hoplite panoply and the experiences of a group of dedicated re-enactors. He also tackles such questions as the protective properties of hoplite shields and armour and the much-vexed debate on the exact nature of the 'othismos' , the climax of phalanx-on-phalanx clashes.This is an innovative and refreshing reassessment of one of the most important kinds of troops in ancient warfare, sure to make a genuine contribution to the state of knowledge.

Reexamines the literary, pictorial and archaeological evidence for hoplite warfare minutely, and combines this with the insights of experimental archaeology using replica weapons and equipment.

Sheds new light and detail upon the weapon system that dominated the ancient battlefield for 200 years.

For those turning sixty, this new edition of Christopher Matthew's tribute to A. A. Milne's classic poems contains fresh material as well as the old favourites.'A wonderful present to sixty-year-olds' Auberon Waugh, Daily Telegraph When Christopher was six, the poems of Milne were always on hand to reassure him that other children were just as puzzled and naughty and silly as he was, and that grown-ups could be even sillier. When he turned sixty, he decided it was high time there was an equally reassuring volume for those of his generation who were not only more confused than ever, but were losing their teeth, their hair and, all too often, their car keys. What he did twenty years ago was to take some of Milne's best-loved poems from Now We Are Six for an older audience, with results that are often hilarious, sometimes rueful and always thought-provoking. Some verses are about realising one is not as young as one once thought, and not feeling quite as chipper as one once did; while others address some of the more disconcerting problems of modern life such as mobile telephones on trains, unsocial behaviour, traffic jams and the internet.

'I did not intend to write a funny book, at first' wrote Jerome J. Jerome of Three Men in a Boat, which has since become a comic classic. When J. the narrator, George, Harris and Montmorency the dog set off on their hilarious misadventures, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather-forecasts, imaginary illnesses, butter pats and tins of pineapple chunks. Denounced as vulgar by the literary establishment, Three Men in a Boat nevertheless caught the spirit of the times. The expansion of education and the increase in office workers created a new mass readership, and Jerome's book was especially popular among the 'clerking classes' who longed to be 'free from that fretful haste, that vehement striving, that is every day becoming more and more the bane of nineteenth-century life.' So popular did it prove that Jerome reunited his heroes for a bicycle tour of Germany. Despite some sharp, and with hindsight, prophetic observations of the country, Three Men on the Bummel describes an equally picaresque journey constrained only 'by the necessity of getting back within a given time to the point from which one started'.