Don Asher Boeken

The best thing to happen to Bing Crosby since Bob Hope, (WSJ) Gary Giddins presents the second volume of his masterful multi-part biography číst celé

Hampton Hawes [1928–1977] was one of jazz's greatest pianists. Among his peers from California the self-taught Hawes was second only to Oscar Peterson. At the time of his celebration as New Star of the Year by downbeat magazine (1956), Hawes was already struggling with a heroin addiction that would lead to his arrest and imprisonment, and the interruption of a brilliant career. In 1963 President John F. Kennedy granted Hawes an Executive Pardon. In eloquent and humorous language Hampton Hawes tells of a life of suffering and redemption that reads like an improbable novel. Gary Giddins has called it "a major contribution to the literature of jazz." This book includes a complete discography and eight pages of photographs.

A memoir told in alternating voices recounts how 80-year-old jazz pianist Don and 69-year-old clinical psychologist Sarah maintained a long-term relationship in spite of disparate personalities until Sarah fell passionately in love with a Jesuit priest, an affair that ended badly and culminated in a healing reconciliation. Original.

Celebrating Bird is the groundbreaking and award-winning account of the life and legend of Charlie Parker from renowned biographer and critic Gary Giddins. Fully revised and with a new introduction, it is a portrayal of a jazz virtuoso whose gargantuan talent was haunted by his excesses and a view into the ravishing art of one of jazz's most remarkable figures.

Visions of Jazz: The First Century contains 79 chapters that illuminate the lives of virtually all major figures in jazz history. Poised to become a classic, this volume is an evocative journey through the first one hundred years of jazz music. schovat popis

In a companion to his collections Riding on a Blue Note and Faces in the Crowd , Gary Giddins has assembled a mosaic of pieces that provide an essential guide to the jazz world. Moving with ease from sweeping surveys of jazz history to precise, vivid assessments of individual performers including Thelonius Monk, the Marsalis brothers, Ornette Coleman, and David Murray, Giddins demonstrates once again why he is lauded as "the best jazz critic now at work" ( Newsweek ).