" . . . Dundes has produced a work which will be useful to both students and teachers who wish to broaden their understanding of modern folklore." ―Center for Southern Folklore Magazine"It is impossible ever to remain unimpressed with [Dundes'] excursuses, however much one may be in disagreement (or not) with his conclusions." ―Forum for Modern Language StudiesOften controversial, Alan Dundes's scholarship is always provocative, perceptive, and intelligent. His concern here is to assess the material folklorists have so painstakingly amassed and classified, to interpret folklore, and to use folklore to increase our understanding of human nature and culture.
Alan A. Dundes Boeken
Alan Dundes was een folklorist aan de Universiteit van Californië, Berkeley, wiens werk cruciaal was voor de vestiging van de studie van folklore als academische discipline. Dundes' onderzoek verdiepte zich in de diepe wortels van volkstradities en hun weerspiegeling in de moderne samenleving. Door middel van zijn geschriften analyseerde hij thema's als symboliek, rituelen en mythen, en hun betekenis voor de menselijke waarneming van de wereld. Zijn benadering van folklore was geen loutere gegevensverzameling, maar een diepgaande interpretatie van culturele verschijnselen.


Life Is Like a Chicken Coop Ladder was first published in 1984 and from the outset inspired a wide variety of reactions ranging from high praise to utter disgust. Alan Dundes' theses identifies a strong anal erotic element in German national character, citing numerous examples of scatological data from authentic compilations of German folklore. The examination of this single trait of German character is used to demonstrate that national character exists and that its existence is unambiguously documented by the folklore of a nation. Dundes is of the opinion that the use of folkloristic data minimizes subjective bias in the study of national character, since unedited or uncensored, it constitutes a unique way of looking at a culture from the inside-out rather than from the outside-in, the more typical situation of an outside observer trying to understand a foreign culture.