The Long Road to Antietam
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A masterful account of the Civil War's turning point in the tradition of James McPherson's Crossroads of Freedom.
Richard Slotkin is een cultuurcriticus, historicus en romanschrijver wiens werk diep ingaat op de Amerikaanse identiteit en geweld. Zijn schrijfstijl onderzoekt hoe deze concepten worden gevormd binnen de populaire cultuur en geschiedenis, met een focus op blijvende verhalen en hun impact op de Amerikaanse psyche. Slotkins academische benadering blijkt uit zijn vermogen om de complexe historische en culturele krachten te ontdekken die het Amerikaanse denken beïnvloeden. Zijn geschriften bieden lezers diepgaande inzichten in de aanhoudende facetten van de Amerikaanse cultuur en de evolutie ervan.





A masterful account of the Civil War's turning point in the tradition of James McPherson's Crossroads of Freedom.
The Mythology of the American Frontier, 1600-1860
Exploring the evolution of American cultural attitudes, Richard Slotkin examines how European settlers' anxieties influenced their mythology in the American West. Through an analysis of popular literature from the seventeenth to early nineteenth centuries, including captivity narratives and works by notable authors like Hawthorne and Melville, the book reveals how these narratives reflect the settlers' struggles to claim land and displace Native Americans, ultimately shaping the American identity.
The book offers a deep and complex exploration of a significant historical event, showcasing a narrative that intertwines various perspectives and themes. Its analytical depth provides readers with a rich understanding of the subject matter, making it both intellectually stimulating and engaging. The intricate structure enhances the storytelling, allowing for a multifaceted examination of the impact and implications of the events discussed.
The myth of the frontier in the age of industrialization, 1800-1890
In The Fatal Environment, Richard Slotkin demonstrates how the myth of frontier expansion and subjugation of the Indians helped to justify the course of America’s rise to wealth and power. Using Custer’s Last Stand as a metaphor for what Americans feared might happen if the frontier should be closed and the "savage" element be permitted to dominate the "civilized," Slotkin shows the emergence by 1890 of a myth redefined to help Americans respond to the confusion and strife of industrialization and imperial expansion.
The culture wars are pitting us against each other with a vitriol that is fueling outright violence. Slotkin looks to the foundational myths that have shaped American identity—the Frontier, the Founding, the Civil War (Emancipation and the Lost Cause), and the Good War—and reveals why they are bringing the US to the brink of an existential crisis.