Documentary
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This anthology reflects on colours' aesthetic, cultural and philosophical meaning through the writings of artists and critics. Their words are placed within the broader context of anthropology, film, philosophy and science.
Amidst current global uncertainty failure has become a central subject of investigation in recent art. Artists have actively claimed the space of failure to propose a resistant view of the world. Here success is deemed overrated, doubt embraced, experimentation encouraged and risk considered a viable position. Between the poles of success and failure lies a productive space where paradox rules and dogma is refused. This anthology establishes failure as a core concern in contemporary cultural production. Failure is one of a series documenting major themes and ideas in contemporary art.
The first accessible reader on magic's generative relationship with contemporary art practice.
Whitechapel Gallery's triennial open submission, showcasing the best new contemporary art in the capital.
In 'The Age / L'Età', Emma Talbot, winner of the 8th Max Mara Art Prize for Women, questions deeply rooted positions of power, governance, attitudes to nature and representations of women through an acutely personal lens. Through painting, drawing, three-dimensional work and animation, Talbot shows us alternative ways of existing in our contemporary world and suggests new modes of being that embrace climate care, feminism and age-positivity.00Including complete installation photography of the commission at Whitechapel Gallery, this beautifully detailed accompanying catalogue includes two new texts by Emma Talbot on The Twelve Labours of Hercules and The Twelve Permaculture Design Principles; new essays by the curators Laura Smith and Wells Fray-Smith; a new essay on permaculture by scholar and writer Macarena Gómez-Barris; and a new interview with the artist.00Exhibition: Whitechapel Gallery, London, UK (30.06. - 04.09.2022)
Accompanying a major large-scale thematic exhibition at Whitechapel Gallery, this extensive catalogue charts the artists' studio through the last century: as a laboratory or stage set; as place of refuge, or a public space; as a site of resistance or an arena for communal activity. Featuring over 80 artists and collectives from around the world, the catalogue will focus in two sections on 'the public studio' and 'the private studio', accompanied by six thematic essays and full colour plate sections of works by Brancusi, Fischli & Weiss, Roni Horn, Bruce Nauman, Cindy Sherman, Andy Warhol, Nikhil Chopra, Gutai Group, Inji Efflatoun, Francesca Woodman, Ai Weiwei, Marisa Merz, Faith Ringgold and Francis Bacon, amongst many others.