Tayi Tibble Boeken

Maori mythology and endless summers: the sparkling second collection from a daring new poetic voice I am made in the image of my mother ... I am made in the image of / my mountain / my river / my whenua In Rangikura, plastic tiaras melt into boiling rivers, and family memories blur with ancestral mythologies. Satanic stepbrothers play jenga while the deity Mahuika burns - and the temperature is rising. Here, anger and loss, history and pop culture are spun into verses woven with vernacular and Te Reo Maori. At the collection's centre, our protagonist whirls through a love/hate story for the internet age, facing the sting of unanswered texts and unmet expectations with wit, sensibility and devastating glamour. Rangikura is the captivating second collection from award-winning poet Tayi Tibble. From feminism to colonialism, skuxes to daddies, wild swimming to schoolboy hakas, these poems at once mark the end of the world and the dawn of a new day. Poignant, hilarious and liberatory, Rangikura reminds us that the personal is sometimes political, the political is always personal, and poetry can be revolutionary.

Winner of the Jessie Mackay Best First Book of Poetry Award Hilarious, intimate, moving, and virtuosic, the voice of Tayi Tibble is one of most exciting in poetry today. In Poukahangatus (pronounced Pocahontas ), her debut volume, Tibble challenges a dazzling array of mythologies - Greek, Maori, feminist kiwi - peeling them apart, respinning them in modern terms. Her poems move from rhythmic discussions of the Kardashians, sugar daddies, and Twilight to exquisite renderings of the natural world and precise emotions. Tibble is also a master narrator of teenage womanhood, its exhilarating highs and devastating lows; her high-camp aesthetics chart the overflowing beauty, irony, and ruination of her surroundings. Poem by poem, Tibble carves out a bold new way of engaging history without merely telling it, of straddling modernity and ancestry, desire and exploitation. These are warm, provocative, and profoundly original poems, written from a world in which the effects of colonization, land, work, and gender are intimately and insidiously connected. Along the way, Tibble scrutinizes perception and how she as a Maori woman fits into trends, stereotypes, and popular culture. With language that is at once colourful, passionate, and laugh-out-loud funny, Poukahangatus announces the presence of a surpassingly daring new poet