Tanika Gupta Boeken

Niru is a young Bengali woman married to an English colonial bureaucrat – Tom. Tom loves Niru, exoticising her as a frivolous plaything to be admired and kept; but Niru has a long-kept secret, and just as she thinks she is almost free of it, it threatens to bring her life crashing down around her. Tanika Gupta re-imagines Ibsen's classic play of gender politics through the lens of British colonialism, offering a bold, female perspective exploring themes of ownership and race. This edition is published for the first time in Methuen Drama's Plays For Young People series, aimed specifically at students aged 16-18 to perform and study.

"Tanika Gupta's epic drama pushes the boundaries of verbatim theatre, telling an important story in a fresh and authentic way never seen on stage before. A rousing piece of work." - Greg Walker, Regius Professor of Rhetoric and English Literature, University of Edinburgh, UK.Based on the true story of Tanika Gupta's great uncle, Lions and Tigers follows nineteen-year-old Dinesh Gupta's emotional and political awakening as a freedom fighter pitting himself against the British Raj.Drawn from family stories that the playwright herself heard from early childhood, the play teems with details drawn from her grandfather's 500-page handwritten journal about his younger brother, and from the 92 letters written by her great uncle from his prison cell.Set against the backdrop of negotiations between the leaders of the Indian National Congress and culminating in actions that shook the very foundations of the British Empire, Lions and Tigers challenges our assumptions about Indian independence and offers powerful new insights into the battles between the British lions and the Bengal tigers.The play was first performed at Shakespeare's Globe from the 23rd August to 16th September 2017, and was awarded the James Tait Black Prize for Drama in 2018. It is published here in Methuen Drama's Modern Classics series for the first time, with a brand new introduction.

From the moment when, as a little girl, she realizes that her skin is a different colour from that of her beloved mum and dad, to the tracing and finding of her birth parents, her Highland mother and Nigerian father, the journey that Jackie Kay undertakes in Red Dust Road is full of unexpected twists, turns and deep emotions. In a book shining with warmth, humour and compassion, she discovers that inheritance is about much more than genes: that we are shaped by songs as much as by cells, and that our internal landscapes are as important as those through which we move. Taking the reader from Glasgow to Lagos and beyond, Red Dust Road is revelatory, redemptive and courageous, unique in its voice and universal in its reach. It is a heart-stopping story of parents and siblings, friends and strangers, belonging and beliefs, biology and destiny, and love.

Queen Victoria's Golden Jubilee, 1887. At East London's Tilbury Docks, Rani Das and Abdul Karim step ashore after the long voyage from India. One has to battle a society who deems her a second-class citizen; the other forges an astonishing entanglement with the ageing Queen Victoria who finds herself enchanted by stories of an India over which she rules, but has never seen. Through narrative, music and song, The Empress blends the true story of Queen Victoria's controversial relationship with her Indian servant and 'Munshi' (teacher), Abdul Karim, with the experiences of Rani, a young Indian ayah who confronts the challenges of life in 19th-century London. In doing so, the play uncovers remarkable unknown stories of Victorian Britain and charts the growth of Indian nationalism and the romantic proclivities of one of Britain's most surprising monarchs. -- Back cover