Cicely Hamilton Boeken

The movement of groundwater is a basic part of soil mechanics. It is an important part of almost every area of civil engineering, agronomy, geology, irrigation, and reclamation. Moreover, the logical structure of its theory appeals to engineering scientists and applied mathematicians.This book aims primarily at providing the engineer with an organized and analytical approach to the solutions of seepage problems and an understanding of the design and analysis of earth structures that impound water. It can be used for advanced courses in civil, hydraulic, agricultural, and foundation engineering, and will prove useful to consulting engineers — or any public or private agency responsible for building or maintaining water storage or control systems.Among the special features of this book are its coverage of previously unavailable Russian work in the field, an extensive appendix of concepts in advanced engineering mathematics needed to deal with physical flow systems, and numerous completely worked-out and solved examples coupled with over 200 problems of varying difficulty.

Drawing upon previously unseen archival material, this book brings to life the story of the Actresses' Franchise League from 1908-1958, building a picture of this diverse, exciting and innovative organisation that opens up and extends previous scholarship of the suffrage movement, and of political and feminist networks in twentieth century theatre. -- .

The astonishing women involved in the Actresses Franchise League set up their own theatre companies and engaged with the battle for the vote by writing and performing campaigning plays all over the country. They launched themselves onto the political stage with their satirical plays, sketches and monologues whilst at the same time challenging the staid conventions of the Edwardian Theatre of the day. The legacy of their inspiring work to change both theatre and society has survived in the political theatre, agit-prop and verbatim theatre we know today. Introduced and set in an historical context by Dr Susan Croft together with an extensive Chronology of suffrage drama 1907-1914.Full playtexts from the following:’How the Vote was Won’ by Cicely Hamilton and Chris St. John’The Apple’ by Inez Bensusan’Jim s Leg’ by L.S. Phibbs’Votes for Women’ by Elizabeth Robins’At the Gates’ by Alice Chapin’In the Workhouse’ by Margaret Wynne Nevinson’A Change of Tenant’ by Helen Margaret Nightingale.

This novel, first published in 1907, brings to life Robin's experience and that of her colleagues, Christabel and Emmeline Pankhurst, in the story of Vida Levering, an upper-class British woman "converted" to the working-class suffrage movement. In a suspenseful plot, Robins contrasts the witty dialogue of elegant drawing rooms with the rough-and-tumble outdoor meetings of Trafalgar Square, recreating them almost word for word from actual accounts. Ultimately, Vida begins to make her own first speeches and out of the tragic events of her past devises a means of effecting women's political freedom. Jane Marcus puts this "funny, moving, and beautifully structured novel" in a class with Virginia Woolf's Night and Day.

This anthology presents eight exciting comic pieces that arose from the the Suffrage Movement. Terrific for performance, it provides a variety of strong female parts, while also offering invaluable sources from the period, bringing history to life.

From one of the earliest feminist science fiction writers, a novel that envisions the fall of civilization—and the plight of the modern woman in a post-apocalyptic wilderness. When war breaks out in Europe, British civilization collapses overnight. The ironically named protagonist must learn to survive by his wits in a new Britain. When we first meet Savage, he is a complacent civil servant, primarily concerned with romancing his girlfriend. During the brief war, in which both sides use population displacement as a terrible strategic weapon, Savage must battle his fellow countrymen. He shacks up with an ignorant young woman in a forest hut—a kind of inverse Garden of Eden, where no one is happy. Eventually, he sets off in search of other survivors . . . only to discover a primitive society where science and technology have come to be regarded with superstitious awe and terror. A pioneering feminist, Hamilton offers a warning about the degraded state of modern women, who—being “unhandy, unresourceful, superficial”—would suffer a particularly sad fate in a postapocalyptic social order.

William was 'written in a rage in 1918; this extraordinary novel... is a passionate assertion of the futility of war' (the Spectator). Its author had been an actress and suffragette; after 1914 she worked at the Scottish Women's Hospital at Royaumont and organised Concerts at the Front. William - an Englishman was written in a tent within sound of guns and shells; this 'stunning... terrifically good' novel (Radio 4's A Good Read) is in one sense a very personal book, animated by fury and cynicism, and in another a detached one; yet is always 'profoundly moving' (Financial Times).In the view of Persephone Books, William is one of the greatest novels about war ever written: not the war of the fighting soldier or the woman waiting at home, but the war encountered by Mr and Mrs Everyman, wrenched away from their comfortable preoccupations - Socialism, Suffragettism, so gently mocked by Cicely Hamilton - and forced to be part of an almost dream-like horror (because they cannot at first believe what is happening to them). The scene when William and Griselda emerge after three idyllic weeks in a honeymoon cottage in the remote hills of the Belgian Ardennes, and encounter German brutality in a small village, is unforgettable. The book, which won the Prix Femina-Vie Heureuse in 1919, is a masterpiece, written with an immediacy and a grim realism reminiscent of an old-fashioned, flickering newsreel.

This fascinating book offers a unique perspective on Irish society and culture from the viewpoint of an Englishwoman, providing valuable insights into the complex historical and political dynamics that have shaped modern Ireland.

What is love and how do we love ourselves more? Why do we judge and blame ourselves and can we begin to move to a higher way? In this book Helen Hamilton takes us through the stages of love from conditional love, unconditional love and even love before duality and separateness. We will also explore how to love others and the world in general from a loving understanding. Isn?t it time for you to experience self-acceptance and love?