"Set primarily in Iran, this extraordinary debut novel weaves 50 years of modern Kurdish history through a story of a family facing oppression and injustices all too familiar to the Kurds. Leila dreams of making films to bring the suppressed stories of her people onto the global stage, but obstacles keep piling up. Her younger brother, Chia, influenced by their father's past torture, imprisonment, and his deep-seated desire for justice, begins to engage with social and political affairs. But his activism grows increasingly risky and one day he disappears in Tehran. Seeking answers about her brother's whereabouts, Leila fears the worst and begins a campaign to save him. But when she publishes Chia's writings online, she finds herself in grave danger as well. The first novel published in English by a female Kurdish writer, Daughters of Smoke and Fire is an evocative portrait of the lives and stakes faced by 40 million stateless Kurds. It's an unflinching but compassionate and powerful story that brilliantly illuminates the meaning of identity and the complex bonds of family"--
Ava Homa Boeken
Ava Homa is een schrijfster, journaliste en activiste wier werk thema's als verzet, mensenrechten en gendergelijkheid verkent. Door een boeiende vertelstijl onderzoekt ze complexe maatschappelijke kwesties en biedt ze inzichten in levens in diverse culturele landschappen. Homa fungeert als een krachtige verhalenverteller, die met haar schrijfwerk en publieke optredens aanzet tot nadenken en dialoog. Haar proza wordt gewaardeerd om zijn diepgang, empathie en toewijding aan het belichten van belangrijke maatschappelijke zorgen.


- These haunting stories beautifully evoke the oppressive lives of modern women in the Islamic Republic of Iran. Anis, a computer programmer, is at the end of her rope, putting up with the bullying criticism of a no-good, unemployed lout of a husband; Azar is a young divorcee, and the only person she can talk to is Reza; but she can see him only late at night when "they" are not around; Sharmin has Down's syndrome and hopelessly loves Azad; he loves Kazhal, beautiful and blessed; but Kazhal is married off and is divorced at twenty and now awaits a hopeless future . . . For these and other characters the weight of traditional attitudes, the harrassment of the religious establishment, and the attitudes of men make for a frustrating, confining, and sometimes unlivable existence.