Me Ra Koh is een toonaangevende fotografie-expert en -docent voor moeders met camera's, die ouders inspireert om niet alleen de mijlpalen van hun kinderen vast te leggen, maar ook om hun beste leven te leiden. Haar werk richt zich op het empoweren van vrouwen en het voeden van hun creatieve potentieel door middel van praktische begeleiding en motiverende inzichten. Door uitverkochte workshops en boeiende inhoud bevordert ze een holistische benadering van fotografie en persoonlijke groei. Koh is een veelgevraagd spreker, bekend om haar humoristische en inspirerende presentaties.
Documenting a baby's first year, this book offers a creative way for parents to record milestones, memories, and special moments. With dedicated sections for photos, notes, and reflections, it encourages families to cherish each stage of development. The interactive format allows for personal touches, making it a treasured keepsake that captures the joy and wonder of early childhood.
Winner of the Pacific Northwest Booksellers Association Award and the Washington State Book Award in Biography/Memoir Named One of the Best Books by Asian American Writers by Oprah Daily Longlisted for the PEN Open Book Award The Magical Language of Others is a powerful and aching love story in letters, from mother to daughter. After living in America for over a decade, Eun Ji Koh’s parents return to South Korea for work, leaving fifteen-year-old Eun Ji and her brother behind in California. Overnight, Eun Ji finds herself abandoned and adrift in a world made strange by her mother’s absence. Her mother writes letters in Korean over the years seeking forgiveness and love—letters Eun Ji cannot fully understand until she finds them years later hidden in a box. As Eun Ji translates the letters, she looks to history—her grandmother Jun’s years as a lovesick wife in Daejeon, the loss and destruction her grandmother Kumiko witnessed during the Jeju Island Massacre—and to poetry, as well as her own lived experience to answer questions inside all of us. Where do the stories of our mothers and grandmothers end and ours begin? How do we find words—in Korean, Japanese, English, or any language—to articulate the profound ways that distance can shape love? The Magical Language of Others weaves a profound tale of hard-won selfhood and our deep bonds to family, place, and language, introducing—in Eun Ji Koh—a singular, incandescent voice.