Sarah Kozloff continues the breathtaking and cinematic epic fantasy series The Nine Realms with book two, The Queen of Raiders.
Sarah Kozloff Boeken
Sarah Kozloff creëert ingewikkelde fantasywerelden, voortbouwend op een rijke achtergrond die filmproductie en academische wereld omvat. Haar werk als auteur vertegenwoordigt een belangrijke heruitvinding, waarbij ze haar diepgaande kennis van storytelling kanaliseert in boeiende verhalen. Lezers kunnen epische verhalen verwachten vol complexe personages en meeslepende settings. Kozloffs unieke reis doordrenkt haar fictie met een onderscheidende diepgang en perspectief.
Sarah Kozloff's breathtaking and cinematic epic fantasy series The Nine Realms, which began with A Queen in Hiding, comes to a thrilling conclusion in The Cerulean Queen. The true queen of Weirandale has returned. Cerulia has done the impossible and regained the throne. However, she's inherited a council of traitors, a realm in chaos, and a war with Oromondo. Now a master of her Gift, to return order to her kingdom she will use all she has learned—humility, leadership, compassion, selflessness, and the necessity of ruthlessness. The Nine Realms Series #1 A Queen in Hiding #2 The Queen of Raiders #3 A Broken Queen #4 The Cerulean Queen
BROKEN QUEEN A
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- 16 uur lezen
Barely surviving her imprisonment in Oromondo and scarred by its Fire Spirit, Cerulia is taken to a recovery house in Wyeland to heal from the trauma. As she wrestles with her destiny and now questions whether she should even attempt to win her throne, Cerulia discovers that not all scars are visible.
Orphaned, exiled and hunted, Cérulia, Princess of Weirandale, must master the magic that is her birthright, become a ruthless guerilla fighter, and transform into the queen she is destined to be.But to do it she must win the favor of the spirits who play in mortal affairs, assemble an unlikely group of rebels, and wrest the throne from a corrupt aristocracy whose rot has spread throughout her kingdom.
The Life of the Author
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- 3 uur lezen
Challenging the prevailing notion of "death of the author," Sarah Kozloff proposes a new film authorship theory that emphasizes the significance of filmmakers' biographies, intentions, and collaborations. By integrating insights from notable scholars, she argues that understanding the creators enhances viewers' experiences and interpretations of films. Through an in-depth analysis of The Red Kimona (1925), she illustrates how knowledge of the filmmakers can reshape our understanding of this early feminist work, blending film history with theory in a compelling narrative.