Joshua Pollard Boeken

What's new in cocktails? Finally, we can say gorgeous chickens photo-bombing every shot. Think of this as goat yoga but instead of yoga, cocktails and in place of goats, chickens.

A striking and original interpretation of the awesome Stone Age site from one of the world's foremost archaeologists on death and burial

The National Portrait Gallery's series of compact, fully illustrated, historical guides to literary and artistic personalities and themes. Written by well known contemporary authors, they examine the lives, thoughts and relationships within each selected group through works from the Gallery's Collection.

The history of the Avebury stone circle and its landscape is explored over a span of 12,000 years, highlighting the evolution of the area and the various peoples who inhabited it, from the Mesolithic era to the late medieval period. This comprehensive examination delves into both the archaeological significance and the cultural transformations that have shaped this remarkable site.

Argues that by meeting the vast administrative challenge of the British Empire - thorough maps and surveys, censuses and statistics - Victorian administrators developed a new symbiosis of knowledge and power. The book draws on works by Rudyard Kipling, H.G. Wells and Bram Stoker.

He proclaimed himself a genius and raged against the slightest criticism from fellow scholars; he was a Marxist who despised the 'Idiot People'; he could be generous yet hurled insults at his friends; he inveighed against Puritanism but was himself in many ways a Puritan: A L Rowse was a man of many contradictions. This book tells his story.

In The Roots of Western Finance, Thomas K. Park and James B. Greenberg take an anthropological approach to origins of western finance and credit in ancient societies, covering a period of five thousand years from ancient Mesopotamia to the Islamic world in the eleventh century. Park and Greenberg reveal that credit is not simply an economic transaction; it is a social relationship and a technology of power.

How to leverage the power of Super Signs - and create exceptional brands.

Zapis rozmowy Lisy Wolford z Thomasem Richardsem, dyrektorem Workcenter of Jerzy Grotowski and Thomas Richards (Pontedera, Włochy), przeprowadzonej w 1995 roku. Rozmowa ta daje wgląd w istotę twórczych poszukiwań Grotowskiego w domenie określanej przez niego mianem sztuka jako wehikuł, wyznaczającej końcowy etap jego poszukiwań. Richards opowiada tu m.in. o transformacji energii, która może nastąpić w pracy nad pieśniami z tradycji afrokaraibskiej. To dzięki tej pracy oraz dzięki oparciu się na strukturach działań wykorzystujących niebanalne wspomnienia performerów możliwa staje się wertykalna podróż ku temu, co subtelne. (Od wydawcy polskiego)