When the tomb of St. Tancred is opened at a village church in Bishop's Lacey, its shocking contents lead to another case for Flavia de Luce, where greed, pride and murder result in old secrets coming to light, along with a forgotten flower that hasn't been seen for half a thousand years.
On a spring morning in 1951, eleven-year-old chemist and aspiring detective Flavia de Luce gathers with her family at the railway station, awaiting the return of her long-lost mother, Harriet. Yet upon the train’s arrival in the English village of Bishop’s Lacey, Flavia is approached by a tall stranger who whispers a cryptic message into her ear. Moments later, he is dead, mysteriously pushed under the train by someone in the crowd. Who was this man, what did his words mean, and why were they intended for Flavia? Back home at Buckshaw, the de Luces’ crumbling estate, Flavia puts her sleuthing skills to the test. Following a trail of clues sparked by the discovery of a reel of film stashed away in the attic, she unravels the deepest secrets of the de Luce clan, involving none other than Winston Churchill himself. Surrounded by family, friends, and a famous pathologist from the Home Office—and making spectacular use of Harriet’s beloved Gipsy Moth plane, Blithe Spirit—Flavia will do anything, even take to the skies, to land a killer.
Mystery fans seeking novels of wit, an immersive English countryside setting, and rich characterizations will be rewarded with this newest entry in the award-winning series. - Library Journal (starred review) There is such a thing as willing suspension of disbelief brought on by sheer outlandish charm, and that's what [Alan] Bradley and some delicious writing have tapped. - London Free Press Flavia's first-person narration reveals her precocious intellect as well as her youthful vulnerability. - Shelf Awareness Flavia is once again a fun, science-loving protagonist. . . . This series entry ends on a note that begs for the next story. - Library Reads An eleven-year-old prodigy with an astonishing mind for chemistry and a particular interest in poisons. - The Strand Magazine (Five of the Best Historical Heroines) Bradley's preteen heroine comes through in the end with a series of deductions so clever she wants to hug herself. So will you. - Kirkus Reviews From the Hardcover edition.
Advance praise for The Grave's a Fine and Private Place Outstanding . . . As usual, Bradley makes his improbable series conceit work and relieves the plot's inherent darkness with clever humor.-Publishers Weekly (starred review) There's only one Flavia. . . . Series fans will anticipate the details of this investigation, along with one last taste of Flavia's unorthodox family life.-Library Journal (starred review) Fans of the precocious sleuth who share her unapologetically enthusiastic sense that 'an unexamined corpse was a tale untold' will rub their hands gleefully, confident that her resolution will unleash a dazzling barrage of innocent-seeming questions, recherché chemical and pharmacological tidbits, fibs and whoppers, and the most coyly bratty behavior outside the pages of Kay Thompson's chronicles of Eloise. . . . Bradley's unquenchable heroine brings 'the most complicated case I had ever come across' to a highly satisfying conclusion, with the promise of still brighter days ahead.-Kirkus Reviews Acclaim for Alan Bradley's beloved Flavia de Luce novels, winners of the Crime Writers' Association Debut Dagger Award, Barry Award, Agatha Award, Macavity Award, Dilys Award, and Arthur Ellis Award If ever there were a sleuth who's bold, brilliant, and, yes, adorable, it's Flavia de Luce.-USA Today Delightful . . . a combination of Eloise and Sherlock Holmes.-The Boston Globe [Flavia] is as addictive as dark chocolate.-Daily Mail Flavia de Luce is still the world's greatest adolescent British chemist/busybody/sleuth.-The Seattle Times
Although it is autumn in the small English town of Bishop's Lacey, the chapel is decked with exotic flowers. Yes, Flavia de Luce's sister Ophelia is at last getting hitched, like a mule to a wagon. A church is a wonderful place for a wedding, muses Flavia, surrounded as it is by the legions of the dead, whose listening bones bear silent witness to every promise made at the altar. Flavia is not your normal twelve-year-old girl. An expert in the chemical nature of poisons, she has solved many mysteries, which has sharpened her considerable detection skills to the point where she had little choice but to turn professional. So Flavia and dependable Dogger, estate gardener and sounding board extraordinaire, set up shop at the once-grand mansion of Buckshaw, eager to serve--not so simple an endeavor with her odious, little moon-faced cousin, Undine, constantly underfoot. But Flavia and Dogger persevere. Little does she know that their first case will be extremely close to home, beginning with an unwelcome discovery in Ophelia's wedding cake: a human finger.
Krimi. Camped in her horse-drawn caravan at Buckshaw, a young Gypsy woman is charged with the abduction -and then the murder - of a local child, and Flavia must draw upon her encyclopaedic knowledge of poisons - and Gypsy lore - to prevent a grave miscarriage of justice.
Zbliżają się święta, a wybitna jedenastoletnia detektyw Flawia de Luce spędza jak zwykle czas w laboratorium chemicznym, przygotowując pułapkę na… Świętego Mikołaja. Świąteczną atmosferę w Buckshaw przerywa przyjazd ekipy filmowej. W rezydencji de Luce’ów powstanie film z gwiazdą światowego kina, Phyllis Wyvern, w roli głównej. Tuż przed Wigilią rozpoczyna się śnieżyca, a w Buckshaw zbiera się niemal cała wioska Bishop’s Lacey, by obejrzeć benefis gwiazdy. Wspaniały Szekspirowski wieczór w foyer wiekowej posiadłości kończy się po północy odkryciem trupa. Morderstwa dokonano za pomocą taśmy filmowej… Kto spośród zebranych w Buckshaw przyjezdnych był w stanie dopuścić się tak przerażającego czynu? Na dworze szaleje zamieć, a Flawia musi znaleźć zabójcę, który ukrywa się… na oczach wszystkich. Powieść Alana Bradleya Tych cieni oczy znieść nie mogą jest czwartym tomem przygód Flawii de Luce, które wkrótce zostaną sfilmowana przez Sama Mendesa, reżysera ostatniego filmu z Jamesem Bondem.
Flavia de Luce thinks that her days of crime-solving in the bucolic English hamlet of Bishop's Lacey are over-until beloved puppeteer Rupert Porson has his own strings sizzled in an unfortunate rendezvous with electricity.
It is the summer of 1950 - and at the once-grand mansion of Buckshaw, young Flavia de Luce, an aspiring chemist with a passion for poison, is intrigued by a series of inexplicable events: A dead bird is found on the doorstep, a postage stamp bizarrely pinned to its beak. Then, hours later, Flavia finds an man lying in the cucumber patch and watches him as he takes his dying breath. For Flavia, who is both appalled and delighted, life begings in earnest when murder comes to Buckshaw. "This was by far the most interesting thing that had ever happened to me in my entire life."
