Olga Fialová Boeken

Originally published: New York: William Morrow & Company, 1953.

The book is a facsimile reprint of an original antiquarian work, reflecting its historical significance. It may exhibit imperfections typical of aged texts, including marks, notations, and flawed pages. The publisher emphasizes its cultural importance and commitment to preserving literary heritage by offering this accessible, high-quality edition that remains faithful to the original.

Příběh Olivera a tří dětí, kterému po odchodu manželky zůstávají na krku, je příběhem o těžké životní zkoušce muže, který vzal na svá bedra tolik starostí. Vede domácnost, stará se o citové problémy svých tří dětí. Udrží báječný "taťka" rodinu pohromadě? Může ještě Oliver při všech starostech myslet na svůj osobní život, plnohodnotný vztah či úspěch v práci? Najde tu pravou pro své děti i pro sebe, aby nemusel procházet peklem nejistoty a rozhodování. Partnerské vztahy v současné americké rodině a především požadavky a představy americké ženy jsou stříbrnou nitkou, jež protkává tento romantický příběh.

Set against the backdrop of the wilderness, the story follows an Eastern lawyer as he vies for the affection of a beautiful yet dissatisfied city woman, who is married to a capable backwoodsman. The novel explores themes of masculinity and societal expectations in the 1920s, highlighting the tension between physical prowess and intellectualism. Critics have humorously noted the title's significance, unaware of the real-life adventure that inspired it, adding an intriguing layer to the narrative's exploration of gender roles.

Oliver Watson's world suddenly dissolves around him when Sarah his wife of eighteen years, returns to Harvard to get her master's degree. Oliver is left on his own, with three children and a freedom he never wanted and doesn't completely understand. His family's needs and demands suddenly consume his life. When Oliver's mother is diagnosed as having Alzheimer's disease and dies soon thereafter, Oliver's father's life is changed as well. Braver than his son with less of a future before him, George Watson, at seventy-two, quickly embraces new relationships and, eventually, a new life. The sudden changes come as a shock to both father and son. Ben, Oliver's oldest son, rejects his father and reaches outward, under the illusion that he is grown-up and can make it on his own. Melissa, the middle child, blames Oliver for her mother's desertion. And Sam, the "baby," is too shaken to deal with it at all. Now the only parent, Daddy must somehow cope this, his troubled family and explore a world of new responsibilities, new women, and new experiences. Each of the three men must start a new life: Oliver in New York and then in Los Angeles with his children, once he faces the biggest change in his life; his widowed father with the woman next door; and seventeen-year-old Ben with his girlfriend and baby. Nothing is as it was before... nothing is as they once thought it would be. But in the end, different is better... different is more... for each of them--and especially for Daddy.

Povídky anglické spisovatelky – kompletní ze sbírky Five Short Novels (1953) a po jedné ze The Habit of Loving (1957) – svou uměleckou hloubkou a jednotou formy a obsahu sugestivně odhalují kolonialismus a rasovou diskriminaci v jižní a střední Africe.

Satirické povídky o snobech a zbohatlících žijících na luxusní Plutoriánské třídě v jednom menším americkém městě.