This concise book by the well-known Serbian writer and literary researcher summarizes his decade-long experience of teaching creative writing at the Faculty of Philology, University of Belgrade. Always offering attendees four good reasons for not attending his course, or, in a broader perspective, discouraging them from professional writing altogether, the author reflects ultimately on what it really takes to become a writer of literary fiction. This essay, which makes up the first part of this work, is complemented by a selection of witty short stories, forming the second part, and which have been used as templates in the teaching context.
Živkovič Zoran Boeken
Zoran Živković is een prozaschrijver die zich in zijn werken verdiept in de grensverkenning tussen realiteit en fantasie. Zijn schrijven kenmerkt zich door intellectuele diepgang en het vermogen om lezers mee te trekken naar werelden waar logica en dromen verweven zijn. Živkovićs fictie onderzoekt vaak de aard van verhalen, herinneringen en wat het betekent om mens te zijn. Zijn literaire stijl is verfijnd en precies, met de nadruk op sfeer en de psychologische complexiteit van zijn personages.




Two shorter essays on the second topic - time travel in SF literature - introduce, amongst others, the well-known and fascinating mosaic novel Time Gifts, which skillfully explores the more literary side of the notions of past, present and future.
Compartments
- 170bladzijden
- 6 uur lezen
On a strange train journey, in a series of six compartments, a traveler experiences unpredictable encounters, culminating in a meeting of epiphanic power. Through a narrative of dreamlike sharpness Compartments taps into the fears and absurdities, the beauties and mysteries of the unconscious mind, to achieve a consummation both moving and full of hope. This volume also contains the novella "The Square," an uplifting meditation on the restorative power of Art, and "The Teashop," a superb new novelette about storytelling and the miraculous weavings of Fate, along with "The Telephone" and "First Photograph."
From one of Serbia's greatest contemporary writers, Hidden Camera opens with the narrator finding a mysterious, blank envelope stuck in his apartment door inviting him to a private showing of a movie. Or so he initially thinks. Upon arrival at the theatre, he discovers that there's only one other person in the audience, a very attractive woman whom he's seated next to. Then things get a bit more mysterious. The movie he's been invited to see includes a scene showing him sitting in a park. Believing that he's an unwitting participant in a complicated hidden camera show, he goes along with the variety of setups he's faced with, which continue to get more involved and absurd. As the show develops, he becomes more and more paranoid and distrustful, but he keeps up the ruse to its thrilling conclusion.Hidden Camera was nominated for the 2007 International IMPAC Dublin Literary Award.