Deze auteur richt zich op film, televisie en theater. Haar werk onderzoekt deze gebieden vanuit een academisch perspectief. Haar publicaties duiken in media-analyse en de impact ervan.
Hilary Radner's "Neo-Feminist Cinema" analyzes contemporary cinema's portrayal of women, arguing that "girly films" like "Pretty Woman" and "Legally Blonde" reflect consumer culture rather than true feminism. By labeling these films as "neo-feminist," Radner critiques their alignment with neo-liberal values, revealing tensions within feminist discourse in film.
First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
This book explores the evolution of the woman's film, focusing on independent cinema that resonates with female audiences. It examines a new genre of female-centered narratives linked to classical Hollywood, reflecting themes of second-wave feminism. Key films discussed include "The Bridges of Madison County," "Blue Jasmine," and "Fifty Shades of Grey."
Providing a clear, systematic account of the evolution of Bellour's thought on the nature of cinematic representation, the impact of digital technology and the response of the spectator, this is an essential guide to the work of a major contemporary thinker.