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David Hajdu

    David Hajdu is een gevierd auteur en criticus wiens werk duikt in de boeiende verhalen van muzikanten en kunstenaars. Zijn schrijven verkent de diepten van het leven en de creatieve output van zijn onderwerpen, en onthult de complexiteit van hun artistieke reizen. Hajdu's analytische aanpak en meeslepende proza zorgen ervoor dat zijn werken resoneren met lezers die op zoek zijn naar een dieper begrip van culturele figuren. Door zijn kritiek en academische bijdragen vormt hij de gesprekken over de moderne cultuur.

    Positively 4th Street
    The Ten-Cent Plague
    A Revolution in Three Acts
    • A Revolution in Three Acts

      • 176bladzijden
      • 7 uur lezen

      A Revolution in Three Acts explores how three vaudeville stars defied the standards of their time to change how their audiences thought about what it meant to be American, to be Black, to be a woman or a man. The writer David Hajdu and the artist John Carey collaborate in this work of graphic nonfiction.

      A Revolution in Three Acts
      3,8
    • The Ten-Cent Plague

      The Great Comic-Book Scare and How It Changed America

      • 458bladzijden
      • 17 uur lezen

      Focusing on the vibrant yet tumultuous history of comic books, this book explores their creative evolution and cultural impact, highlighting the medium's defiance against authority. David Hajdu uncovers the untold story behind the rise and eventual decline of comic books, immersing readers in a world filled with innovation and controversy. The narrative captures the essence of an era that shaped popular culture and reflects on the societal attitudes that influenced this art form.

      The Ten-Cent Plague
      3,7
    • Positively 4th Street

      The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña, and Richard Fariña

      • 336bladzijden
      • 12 uur lezen

      In 1966 when Bob Dylan, age twenty-five, disappeared from public view, he closed a chapter on one of the most fascinating stories in post-war cultural history. In just five years Dylan had become a spokesman for the counterculture; Greenwich Village the epicentre of youth style; and folk music - once played by earnest throwbacks - had been crossed with rock 'n' roll to form a thoughtful, literate, new musical style. POSITIVELY 4th STREET relates just how folk became rock by looking at four young beatniks and their rise to fame: Bob Dylan, his part-time lover Joan Baez, her sister Mimi, and Mimi's husband, the writer Richard Farina. It is that rare find - a new story to tell of a moment no one can forget.

      Positively 4th Street