Simon my big self decoy justin beiber brings together a significant new body of painted drawings by the artist that format themselves around the double page spread, with both image and text on the page to invite and resist quiet contemplation. These exquisitely delicate and brutal drawings tussle with one another for space, pulling the viewer into the energetic and colourful vortexof the artist’s psyche. Diaries jostle with devotions, desires and disputes―a confabulation of friction and fiction in a place where fetish and fact collide.Simon English draws across the blank page with the instincts of one entering cyberspace. His surfing history is left only too clear on the surface of the page, or buried beneath heavy black deletions and overpainting. His are the ‘old’ gremlins, the monsters within that say one is too much and more is never enough. In 2004, Bill Arning wrote that “for picture addicts like myself, English is the equivalent of a crack dealer”.,br>The work within the book is brought together with written contributions from Laurence Scott, who will contribute a text emanating from English’s imaginary drawing database, and Sally O’Reilly, who will construct a voice for the work somewhere between art, theory, fiction and fantasy.
Sally O'Reilly Volgorde van de boeken
Sally O'Reilly is een geprezen auteur wier fictie zich verdiept in de complexiteit van menselijke verbindingen en het innerlijke leven van haar personages. Haar proza wordt gekenmerkt door scherp psychologisch inzicht en een opmerkelijk vermogen om subtiele emotionele nuances te vangen. Door haar werk in het creatief schrijven deelt ze haar literaire perspectief en inspireert ze toekomstige generaties verhalenvertellers. Haar geschriften worden gewaardeerd om hun diepgang en literaire vakmanschap.


- 2017
- 2009
The Body in Contemporary Art
- 224bladzijden
- 8 uur lezen
Featuring work across a range of media, from painting and sculpture to installation, video art and performance, this book examines the different roles played by the body in art, from being the subject of portraiture to becoming an active presence in live and participatory events.