Claude Fayette Bragdon was een Amerikaanse architect, schrijver en decorontwerper, bekend van zijn werk in Rochester, New York, en later in New York City. Geworteld in de progressieve architecturale traditie van Louis Sullivan en Frank Lloyd Wright, verkenden zijn ontwerpen innovatieve benaderingen voor de planning, het ontwerp en de ornamentiek van gebouwen. Door zijn talrijke essays en boeken verdedigde Bragdon het concept van "organische architectuur", dat hij essentieel achtte voor het bevorderen van een democratische gemeenschap binnen de context van de industriële kapitalistische samenleving.
This antiquarian book is a facsimile reprint of an original work, preserving its historical significance despite potential imperfections like marks and flawed pages. The reprint aims to protect and promote cultural literature, offering readers an affordable, high-quality edition that remains true to the original text.
Exploring the interconnectedness of historical events, Claude Bragdon presents a collection of essays that challenge the traditional linear view of history. He emphasizes the importance of individual experiences and their societal impacts, arguing that culture, religion, and politics shape our understanding of the past. The book also delves into various historical figures and moments, particularly within the context of the Theosophical Society. Through thought-provoking insights, Bragdon encourages readers to rethink the significance of history in shaping contemporary society.
Claude Bragdon's memoir offers an introspective journey through his life, from his rural New York childhood to his architectural achievements in New York City. It delves into his artistic passions, education at Cornell, and the influence of Theosophy on his spiritual beliefs. Bragdon candidly discusses personal challenges, including struggles with depression and alcoholism, while exploring themes of creativity and architecture's societal role. This autobiography also includes insights into his multifaceted life, encompassing literature, theater, and the occult, providing a rich perspective on early 20th-century culture.
As a facsimile reprint of a rare antiquarian work, this book preserves the historical significance of the original text while acknowledging potential imperfections such as marks and flaws due to its age. The commitment to making this culturally important work accessible reflects a dedication to protecting and promoting literature in high-quality modern editions, ensuring that readers can appreciate the authenticity of the original.
Exploring the interplay between architecture and democratic principles, Claude Bragdon emphasizes how built environments can reflect and influence social cohesion and equality. Through various architectural styles and historical examples, he advocates for democratizing architecture, urging that public spaces should be designed with the community's needs in mind. The book challenges conventional views by positioning architecture as a vital tool for fostering democratic values, calling on architects and planners to prioritize inclusivity and community well-being in their designs.
Seven illustrated essays by a noted American builder of the early 20th century examine ancient and modern structures, offering a master class in the architectural union of art, beauty, and science.