C. Michael Robbins Volgorde van de boeken

A new collection from an audacious, humorous poet celebrated for his "sky-blue originality of utterance" (Dwight Garner, The New York Times) Michael Robbins's first two books of poetry were raucous protests lodged from the frontage roads and big-box stores of off-ramp America. With Walkman, he turns a corner. These new poems confront self-pity and nostalgia in witty-miserable defiance of our political and ecological moment. It's the end of the world, and Robbins has listened to all the tapes in his backpack. So he's making music from whatever junk he finds lying around.

A second collection from a poet of “sheer joy and dizzy command” (The New York Times) Upon its publication in 2012, Alien vs. Predator, the debut collection by Michael Robbins, became one of the hottest and most celebrated works of poetry in the country, winning acclaim for its startling freshness and originality, and leading critics to say that it was the most likely book in years to open up poetry to a new readership.   Robbins’s poems are strange, wonderful, wild, and irrationally exuberant, mashing up high and low culture with “a sky-blue originality of utterance” (The New York Times). The thirty-six new poems in The Second Sex carry over the music, attitude, hilarity, and vulgarity of Alien vs. Predator, while also working deeper autobiographical and political veins.

The exploration of Jesus' temptations captivates readers with its blend of macabre and triumphant elements. This narrative weaves together themes of seduction and sanctity, revealing the complexities of both the Saint and the Seducer. Scholars have long been intrigued by this duality, and the book suggests that the source of such a compelling story can be traced back to Q, enriching the discourse surrounding these pivotal moments.