Stephen Schloesser Boeken

French composer Olivier Messiaen (1908 1992) is probably best known for his Quartet for the End of Time, premiered in a German prisoner-of-war camp in 1941. However, Messiaen was a remarkably complex, intelligent person with a sometimes tragic domestic life who composed a wide range of music. This book explores the enormous web of influences in the early part of Messiaen's long life. The first section of the book provides an intellectual biography of Messiaen's early life in order to make his (difficult) music more accessible to the general listener. The second section offers an analysis of and thematic commentaries on Messiaen's pivotal work for two pianos, Visions of Amen, composed in 1943. Schloesser's analysis includes timing indications corresponding to a downloadable performance of the work by accomplished pianists Stphane Lemelin and Hyesook Kim.

Exploring the intersection of faith and modernity, this work examines how a postwar generation of Catholics reinterpreted traditional sacramentalism through contemporary language and imagery. It highlights the innovative ways in which these individuals embraced and transformed their religious beliefs during the Jazz Age, reflecting broader cultural shifts.

Olivier Messiaen's complex life and music are examined through an intellectual biography that sheds light on his influences and the intricacies of his compositions. The book emphasizes accessibility for general listeners, particularly focusing on his pivotal 1943 work, Visions of Amen. It includes detailed analysis and thematic commentaries, complemented by timing indications for a downloadable performance by skilled pianists. This comprehensive study enhances the understanding of Messiaen's artistic legacy and personal struggles.