Andrew Nestingen Volgorde van de boeken

Since 1983, Aki Kaurismäki has made classically styled films filled with cinephilic references to film history, influencing Jim Jarmusch, Quentin Tarantino and Wes Anderson. Yet the director is often depicted as the loneliest, most nostalgic of Finns (except when promoting his films, making political statements and running his many businesses). Drawing on revisionist approaches to film authorship, this text links Kaurismäki's work to issues in film aesthetics and history, nostalgia, late modernity, commerce, film festivals, and national cinema

Argues that the growth and visibility of popular culture have been at the heart of the development of heterogeneous publics in Scandinavia, in opposition to the homogenising influence of the post-World War II welfare state. This book discusses artists, such as Henning Mankell, Aki Kaurismaki, Lukas Moodysson, and Lars von Trier.