Anita Desai Boeken

Oog in oog met vrouwen is een bloemlezing uit het prachtige werk van schrijfsters uit Afrika, Azië, Latijns-Amerika en het Caribisch gebied. De fragmenten uit proza en poëzie, die zijn samengebracht onder noemers als Leven en Liefde, Werk en spel en Politiek en maatschappij , worden visueel vertaald en verlevendigd door meer dan veertig kleurenfoto's. Daarmee is dit boek een genoegen om te lezen en tegelijk een lust voor het oog.

In the popular imagination, Calcutta is a packed and pestilential sprawl, made notorious by the Black Hole and the works of Mother Teresa. Kipling called it a City of Dreadful Night, and a century later V.S. Naipaul, Gunter Grass and Louis Malle revived its hellish image. This is the place where the West first truly encountered the East. Founded in the 1690s by East India Company merchants beside the Hugli River, Calcutta grew into India's capital during the Raj and the second city of the British Empire. Named the City of Palaces for its neoclassical mansions, Calcutta was the city of Clive, Hastings, Macaulay and Curzon. It was also home to extraordinary Bengalis such as Rabindranath Tagore, the first Asian Nobel laureate, and Satyajit Ray, among the geniuses of world cinema. Above all, Calcutta (renamed Kolkata in 2001) is a city of extremes, where exquisite refinement rubs shoulders with coarse commercialism and political violence. Krishna Dutta explores these multiple paradoxes, giving personal insight into Calcutta's unique history and modern identity as reflected in its architecture, literature, cinema and music. CITY OF ARTISTS: Modern India's cultural capital; home city of

Gathers photographs of the Indian people and their daily life

To the family living in a shabby, dusty house in Delhi, Tara's visit brings a sharp reminder of life outside tradition. For Bim coping endlessly with their problems, there is renewal of the old jealousies for, unlike her sister, she has failed to escape.

A classic of our time Untouched by the twentieth century, Thul, the small fishing village near Bombay, is still ruled by the age-old seasonal rhythms. Hari and Lila have lived in the village all their lives, but their family is now desperately down on its luck. Their father drinks; their mother is seriously ill; and there is no money to keep them fed and clothed. Delicately and exquisitely executed, Anita Desaiýs gentle and probing story traces the evolution of Hari and Lila into adults as each of them faces the familyýs predicamentýjust as the first signs of industrial India creep into their villages.

Hugo Baumgartner, the central character of Anita Desai's dazzling novel, is a wandering Jew all his life. From the agonising scenes of his childhood in pre- war Berlin, through his spell in business in Calcutta and then Bombay, he simply does not belong. Too dark for Hitler's society he is too fair for India; he remains a firanghi, a foreigner, wherever he goes' Daily Telegraph 'Anita Desai writes beautifully, employing an opulent vocabulary to great effect in her physical descriptions.The achievement of a superior writer' Literary Review'A book that puts to shame all the little epithets and pert cliches that praise may offer' London Review of Books schovat popis

This is a collection of stories where the protagonists set out on journeys and find themselves suddenly beyond the pale, or back where they started from. A beloved dog brings chaos, and a businessman sees his own death.

Features such novellas as "The Museum of Final Journeys" and "Translator, Translated". In "The Museum of Final Journeys", an unnamed government official is called upon to inspect a faded mansion of forgotten treasures, each sent home by the absent, itinerant master. As he is taken through the estate, he reaches the final - greatest - gift of all.

Perceptive and humorous, these three stories capture the essence of life in India.

A wonderful novel in two parts, moving from the heart of a close-knit Indian household, with its restrictions and prejuices, its noisy warmth and sensual appreciation of food, to the cool centre of an American family, with its freedom and strangely self-denying attitudes to eating. In both it is ultimately the women who suffer, whether, paradoxically, from a surfeit of feasting and family life in India, or from self-denial and starvation in the US. or both. Uma, the plain, older daughter still lives at home, frustrated in her attempts to escape and make a life for herself. Her Indian family is difficult , demanding but mostly, good hearted. Despite her disappointments, Uma comes through as the survivor, avoiding an unfulfilling marriage, liek her sister's or a suicidal one, like that arranged for her pretty cousin. And in America, where young Arun goes as a student, men in the suburbs char hunks of bleeding meat while the women don't appear to cook or eat at all - seems bewildering and terriying to the young Indian adolescent far from home.

Asked to interview India's greatest poet, Nur, Deven sees a way to escape the miseries of life as a small-town scholar. But the old man he finds deep in the bazaars of Old Delhi bears no resemblance to the idol of his youth. Deven is fooled, bullied and cheated, and drawn into a new captivity.

From three times Booker-shortlisted writer Anita Desai, Rosarita is an exquisite story of art, memory and what happens when the past threatens to re- write the present.

How can we understand India today, fifty years after Independence and only months after its nuclear tests outraged the world? The novelist Arundhati Roy has written, specially for this collection, a fierce denunciation of the Indian nuclear program, which serves as an introduction to nine essays on India, all originally published in The New York Review of Books . In this volume, seven distinguished writers offer penetrating insights into the complexities of the subcontinent. Roderick MacFarquhar reflects on the legacy of Empire and Partition, Ian Buruma considers secularism and Indian democracy, Pankaj Mishra remembers life in Benares, and Christopher de Bellaigue writes on a violent Bombay. But the volatile intersections of history, politics, and culture on which they focus haunt Indian literature too, as shown in essays by Nobel Prize-winner Amartya Sen on Rabindranath Tagore, Hilary Mantel on Rohinton Mistry, and Anita Desai on Indian women's writing.

Eric is an uncertain, awkward young man, a would-be writer, and a traveller in spite of himself. Happy to follow his more confident girlfriend to Mexico, he is overwhelmed with sensory overload, but gradually seduced - by the strangeness, the colour, the mysteries of an older world. He finds himself on a curious quest for his own family in a 'ghost' mining town, now barely inhabited, where almost a hundred years earlier young Cornish miners worked the rich seams in the earth. On the D-a de los Muertos, the feast day when the locals celebrate and remember their dead, the various strands of the novel come together hauntingly, bringing together past and present in a moment of quiet, powerful epiphany.

Nandakl konnte sich nicht beruhigen. In dieser dunklen und hellen Luft begann sie, im Garten zu spazieren. Der Rand ihres Sari rieb sich über die Kieselsteine - fsch... fsch... fsch - wie eine sanfte Schlange. Sie warf einen Blick um sich, um Kara zu sehen, die eine Kastanie von einer Hand in die andere gab und leise vor sich hin murmelte...

Nanda Kaul er en aldrende indisk enke som vil være alene og har trukket seg tilbake til fjellene i Punjab. Da kommer jenta Raka, som også søker ensomheten.

Soubor jedenácti povídek: - Hry za soumraku - Soukromé hodiny u pana Bose - Studium v parku - Textury povrchu - Prodej - Ananasový dort - Doprovázeč - Oddaný syn - Večírek na rozloučenou - Holubi za svítání - Vědec a cikánka Děj všech povídek se odehrává v Indii ve 2. polovině 20.století.