Augusta Read Thomas Boeken

Dream Catcher (Solo Viola) String Solo Series. Print music.

(String). Inspired by the concept of the serenading lover. In two colorful sections. Advanced Level.

Originally composed in 1989 and later reimagined in 2002, this work was commissioned by cellist Kate Dillingham. The new version premiered in April 2002 at Merkin Concert Hall in New York City, showcasing its evolution and the enduring impact of the composition over time.

This work was specifically commissioned by the American Guild of Organists for its premiere at the 2006 national convention, highlighting its significance in the realm of organ music. The piece showcases innovative compositions tailored for organists, reflecting contemporary styles and techniques. It embodies the spirit of collaboration within the musical community, aiming to inspire both performers and audiences alike.

Originally composed in 1989 and revised in 2002, this work was commissioned by cellist Kate Dillingham. It premiered in April 2002 at Merkin Concert Hall in New York City, showcasing its evolution and the artistic collaboration involved in its creation.

Originally composed for violin, this early work by Augusta Read Thomas has been adapted for solo viola based on feedback from violists. The new edition retains the essence of the original while catering to the unique qualities of the viola. With a performance duration of 5 minutes, this piece showcases Thomas's distinctive style and offers an opportunity for violists to engage with her music.

Inspired by a sonnet by Dante Gabriel Rossetti, this string ensemble piece unfolds in three distinct movements: Still, Energetic, and Suspended. With a total duration of 7 minutes, it captures varying emotions and dynamics, inviting listeners on a musical journey that reflects the essence of the original poem.

The collection features five unique piano works, each blending contrasting compositional styles or genres. Notable movements include "Like Thelonious Monk crossed with Chopin" and "Like J.S. Bach crossed with BeBop," showcasing innovative fusions that highlight the interplay between classical and contemporary influences. This creative approach invites pianists to explore diverse musical landscapes, making it a distinctive addition to piano repertoire.