This is the first book to present a complete and coherent picture of John Cage - universally recognised as the leading figure of the post-war musical avant- garde. The author presents an historical account of the composer's changing musical concerns, his styles and techniques and his many interests.
Focusing on the Lunda-Ndembu people, this account explores the interplay between tradition and innovation in their cultural identity. The author examines classic anthropological themes, such as individual versus group and old versus young, while highlighting how these dynamics shape daily life and social change. By comparing historical data with his own fieldwork, Pritchett reveals how restudying familiar areas can yield deeper insights into local perspectives on cultural evolution, emphasizing the negotiation of change within enduring traditions.
Offers an insider's view into the day-to-day lives of a self-selected group of male friends within the Lunda-Ndembu society in northwestern Zambia. This title also offers fresh insights into the ways social structures are able to stay viable even in the face of radical change.