Nanette Nielsen Boeken

Rethinks the relationship between music and spirituality. This book presents an idea of spirituality in and through music that counters strategies of exclusion and mastering of alterity and connects it to wandering, erring, and roving.

The exploration of music's role in ethical discussions reveals its significant influence on moral behavior and theoretical ethics. Rather than proposing a broad musico-ethical theory, the book delves into practical applications, showcasing concrete examples that illustrate the enduring relationship between music and ethics. By addressing the often-overlooked ethical dimensions of music, it highlights how music can inform and shape our understanding of moral concepts in contemporary society.

Focusing on the intersection of ethics and aesthetics, this study delves into the life and work of Paul Bekker, a notable German music critic and opera producer. It explores how Bekker's theories, particularly regarding Beethoven's music, relate to themes of freedom and individuality, reflecting the cultural and political dynamics of the Weimar Republic. Through his unique approach, Bekker established an ethical framework for musical sociology as early as 1911, influencing his subsequent contributions to the field.