The book presents an interdisciplinary analysis of a classic Korean novel, proposing that narrative fiction serves as a legitimate medium for Buddhist philosophical discourse. It explores how literature can convey Buddhist truths, situating this discussion within the broader context of the literary imagination's engagement with reality. Through this lens, the work highlights the intersection of fiction and philosophy, revealing deeper insights into both the novel and Buddhist thought.
Those who've read Rumi and want to know what's next will love Manhae. The happiness of meeting, the sadness of separation, the agony of longing and waiting, and the perfection of love in absence—Manhae's gift was to give these moments their due in terms both subtle and surprisingly evocative. Long a cultural hero in Korea, Manhae—whose work can be compared to that of Rumi and even Pablo Neruda—finally receives his proper audience in the West.
Exploring the intersection of film and Buddhism, this book examines how cinema can serve as a ritualistic and contemplative practice. It delves into the ways films can facilitate mindfulness and reflection, encouraging viewers to engage deeply with their spiritual journeys through visual storytelling. The author highlights the meditative qualities of film, suggesting that the act of watching can become a transformative experience akin to traditional Buddhist practices.