Assia Djebar Boeken

What happens when catastrophe becomes an everyday occurrence? Each of the seven stories in Assia Djebar’s The Tongue’s Blood Does Not Run Dry reaches into the void where normal and impossible realities coexist. All the stories were written in 1995 and 1996—a time when, by official accounts, some two hundred thousand Algerians were killed in Islamist assassinations and government army reprisals. Each story grew from a real conversation on the streets of Paris between the author and fellow Algerians about what was happening in their native land. Contemporary events are joined on the page by classical themes in Arab literature, whether in the form of Berber texts sung by the women of the Mzab or the tales from The Book of One Thousand and One Nights. The Tongue’s Blood Does Not Run Dry beautifully explores the conflicting realities of the role of women in the Arab world. With renowned and unparalleled skill, Assia Djebar gives voice to her longing for a world she has put behind her.

In Algerian White, Assia Djebar weaves a tapestry of the epic and bloody ongoing struggle in her country between Islamic fundamentalism and the post-colonial civil society. Many Algerian writers and intellectuals have died tragically and violently since the 1956 struggle for independence. They include three beloved friends of Djebar: Mahfoud Boucebi, a psychiatrist; M'Hamed Boukhobza, a sociologist; and Abdelkader Alloula, a dramatist; as well as Albert Camus. In Algerian White, Djebar finds a way to meld the personal and the political by describing in intimate detail the final days and hours of these and other Algerian men and women, many of whom were murdered merely because they were teachers, or writers, or students. Yet, for Djebar, they cannot be silenced. They continue to tell stories, smile, and endure through her defiant pen. Both fiction and memoir, Algerian White describes with unerring accuracy the lives and deaths of those whose contributions were cut short, and then probes even deeper into the meaning of friendship through imagined conversations and ghostly visitations.

A pioneering work of interconnected perspectives, Children of the New World is a novel of insurgency and resistance by one of the Arab world’s most distinguished woman writers. “Assia Djebar's point of view is feminist and anti-colonial, but her novel is no propaganda piece." ― New York Times Book Review Centering women in political resistance, Children of the New World follows a robust cast of women in a rural Algerian town who find themselves joined in solidarity as they empower one another to engage in the fight for independence. Narrating the resistance movement across a variety of perspectives—from traditional wives to liberated students to political organizers—Djebar powerfully depicts the circumstances that drive oppressed communities to violence while she movingly reveals the tragic costs of war. Children of the New World was written following the author’s own involvement in the Algerian resistance to colonial French rule, making it both intensely personal and deeply resonant. First published in 1962, this timeless novel “embodies Djebar's refined literary sensibility, empathy for people caught in times of violent change, and penetrating insights into the complex and painful difficulties between men and women” ( Booklist ).

Unter den Toten Algeriens hat auch Assia Djebar nahe Freunde zu beklagen. Verstörend intensiv und gleichzeitig klarsichtig erweckt sie sie mit ihren Erinnerungen wieder zum Leben. Diese Evokation gilt nicht nur den Opfern der letzten Monate - sie beschwört ein genau beobachtetes Bild der neueren Geschichte Algeriens, an der sie selbst engagiert teilhat. Eine bestürzende Kontinuität der Gewalt seit Jahrzehnten wird sichtbar, aus der sich die Gegenwart erklärt. Weißes Algerien ist kein Pamphlet, sondern eine Kette von Lebensbildern und Szenen. Heiterkeit ist verwoben mit Trauer. Über seinen Anlass hinaus verweist dieses Buch in Dimensionen extremer existentieller Erfahrung.

Die Frauen erzählen in ihren Lebensbrüchen von Reisen und Erinnerungen an Zwischenstationen. Diese Etappen symbolisieren Bewegungsfreiheit und enthalten Gespräche unter Algerierinnen. Die Episoden beleuchten Lebensstücke, zeigen Verfolgung und Hoffnung und reihen sich wie Perlen aneinander, während Worte Licht im Dunkel spenden.

Après 20 ans d'exil en France, un Algérien revient chez lui et se retrouve déchiré entre son éducation française et la réalité quotidienne algérienne. Cette dualité enrichit son expérience et soulève des questions sur l'identité et l'appartenance.

Frühling 1989. Thelja fährt nach Straßburg, um neun Nächte mit François zu verbringen. Neun Liebesnächte voll sinnlicher Trunkenheit, aber auch geteilter Erinnerungen. In den frühen Morgenstunden flaniert sie durch die Gassen und an den Ufern entlang, wo der Nebel sich langsam lichtet. Stets ist das Straßburger Münster im Zentrum ihrer Gedanken, ihrer Spaziergänge, während sie in die Geschichte dieser Stadt und ihrer Menschen eintaucht. Unter der Oberfläche erkennt sie beklemmende Schatten der Vergangenheit. Sogar in den lustvollen Stunden der Leidenschaft können sie aufbrechen wie schlecht verheilte Wunden.