Aaron McGruder Boeken

Focusing on the experiences of two African-American boys, Riley and Huey, who relocate from inner-city Chicago to a predominantly white suburb, this comic strip delves into the complexities of race in America with humor and insight. As they navigate their new environment while drawing from their urban upbringing, the narrative highlights cultural clashes and societal issues. The second collection showcases the striking illustrations and thought-provoking commentary that have made it both controversial and celebrated among readers.

Focusing on the experiences of two young African-American boys, Huey and Riley, who transition from inner-city Chicago to suburban life, this collection showcases the unique blend of hip-hop culture and Japanese anime-inspired art. The Boondocks not only delivers humor but also engages in candid discussions about race, making it a groundbreaking work in the comic strip genre. Aaron McGruder's innovative approach has garnered significant attention, establishing the strip as a notable voice in contemporary culture.

Here’s the first big book of The Boondocks, more than four years and 800 strips of one of the most influential, controversial, and scathingly funny comics ever to run in a daily newspaper.“With bodacious wit, in just a few panels, each day Aaron serves up—and sends up—life in America through the eyes of two African-American kids who are full of attitude, intelligence, and rebellion. Each time I read the strip, I laugh—and I wonder how long The Boondocks can get away with the things it says. And how on earth can the most truthful thing in the newspaper be the comics?”—From the foreword by Michael Moore

This scathingly hilarious political satire—produced from a collaboration of three of our funniest humorists—answers the burning question: Would anyone care if East St. Louis seceded from the Union? East St. Louis, Illinois (“the inner city without an outer city”), is an impoverished town, so poor that Fred Fredericks, its idealistic mayor, starts off Election Day by collecting the city’s trash in his own minivan. But the mayor believes in the power of democracy and rallies his fellow citizens to the polls for the presidential election, only to find hundreds of them turned away for trumped-up reasons. Even sweet old Miss Jackson—not to mention the mayor himself—is denied the vote because her name turns up on a bogus list of felons. The national election hinges on Illinois’s electoral votes and, as a result of the mass disenfranchisement of East St. Louis, a radical right-wing junta led by a dim-witted Texas governor seizes the Oval Office. Prodded by shady black billionaire and old friend John Roberts, Fredericks devises a radical plan of protest: East St. Louis will secede from the Union. Roberts opens an “offshore” bank (albeit in the heart of the U.S.) to finance the newly liberated country, and suddenly East St. Louis becomes the Switzerland of the American heartland, flush with money. It also begins to attract a motley circus of idealistic young militants, OPEC-funded hitmen, CIA operatives, tabloid reporters, and AWOL black servicemen eager to protect and serve the new nation. Problems set in almost immediately: Controversies rage over the name and national anthem of the new country (they decide on the Republic of Blackland with an anthem sung to the tune of the theme from Good Times), and local thug Roscoe becomes a warlord and turns his gang into a paramilitary force. When the U.S. military begins to move in, Fredericks is forced to decide whether his protest is worth taking all the way. Birth of a Nation starts with a scenario drawn from the botched election of 2000 and spins it into a brilliantly absurd work of sharply pointed satire. Along the way the authors lay into a host of hot social and cultural issues—skewering white supremacists, black nationalists, and everyone in between—drawing real blood and real laughs in equal measure in this riotous send-up of American politics.