Robert Duncan beschikt over een diepe onderdompeling in de wereld van rock-'n-roll, gesmeed door zijn uitgebreide werk als redacteur en medewerker van vooraanstaande muziektijdschriften. Zijn schrijven duikt in de cultuur en dynamiek van het rocktijdperk, gekenmerkt door scherpe observatie en een onderscheidende verhalende stem. Duncan's werk biedt lezers een krachtige mix van inzichtelijke analyse en boeiende vertelkunst, die een unieke lens biedt om de klanken en de geest van een vervlogen muzikaal tijdperk te bekijken. Zijn debuutroman, LOUDMOUTH, belooft zijn meesterschap in het vangen van de rauwe energie en essentie van de muziekscene verder te tonen.
A meditation on both the roots of modernism and its manifestation in the work of H D, Ezra Pound, D H Lawrence, William Carlos Williams, Edith Sitwell, and many others. It is especially notable for its illumination of the role women played in creation of literary modernism.
No previous knowledge of theology demanded, this volume is written in an essentially readable way and is the perfect core to the library of anyone who loves to learn.This wide-ranging, well-directed, sharp-sighted textbook is his magnum opus. This one stands high as a demonstration of the biblical rationality of the Reformed faith. J. I.
A balanced blend of doctrinal, historical, archaeological and geographical detail on the life of Jesus written in a fresh style. Culver uses his skills honed as a professor of both Biblical and Systematic Theologies to present an all-rounded book that should be an invaluable handbook on the life of Christ.
In 1970s New York City, Thomas Ransom dreams that rock 'n' roll will be his ticket out of the life his conservative family planned for him, and he takes it to the extreme: burning bridges and houses on the way to discovering his true destiny.
Entertaining retelling of Bible stories ideal for 7+ year old children
This volume in the Collected Writings of Robert Duncan series gathers a far-reaching selection of Robert Duncan’s prose writings including most of his longer and more well-known essays along with other prose that has never been widely available. Ranging in original publication dates between 1940 and 1985, the forty-one titles reveal a great deal about Duncan’s life in poetry—including his impressions of poets whose work he admires, both contemporaries and precursors. Evocative and eclectic, this work delineates the intellectual contexts and sources of Duncan’s poetics, and opens a window onto the literary communities in which he participated.