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Ebony Elizabeth Thomas

    Ebony Elizabeth Thomas is een gerespecteerde academicus die zich verdiept in de ingewikkelde wereld van kinderliteratuur, media en fanstudies. Haar werk onderzoekt kritisch kwesties van diversiteit en representatie, en biedt inzichtelijke perspectieven op hoe jongeren omgaan met de verhalen die ze tegenkomen en er betekenis aan geven. Thomas brengt een schat aan ervaring mee uit haar achtergrond als lerares, wat haar genuanceerd begrip van de kracht van geletterdheid en de verbinding ervan met bredere culturele dialogen voedt. Haar onderzoek draagt significant bij aan het begrip van het evoluerende landschap van jeugdmedia en de maatschappelijke impact ervan.

    The Dark Fantastic
    • The Dark Fantastic

      • 240bladzijden
      • 9 uur lezen
      4,2(1266)Tarief

      Reveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imagination. Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children's publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW's The Vampire Diaries, Rue from Suzanne Collins's The Hunger Games, Gwen from the BBC's Merlin, and Angelina Johnson from J.K. Rowling's Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world. In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, "we dark girls deserve more, because we are more."

      The Dark Fantastic