George Whitefield was een Engelse Anglicaanse priester die een cruciale rol speelde in de verspreiding van de Grote Opwekking in Groot-Brittannië en vooral in de Britse Noord-Amerikaanse koloniën. Als medeoprichter van het methodisme en de bredere evangelische beweging werd hij een van de meest erkende en invloedrijke predikers van de 18e eeuw. Zijn uitgebreide reizen en krachtige prediking trokken grote menigten en aanzienlijke media-aandacht, waardoor hij een algemeen erkende publieke figuur werd in koloniaal Amerika.
This edited and annotated, 2-volume set of George Whitefield's sermons gives valuable historical and theological insight into his powerful and passionate preaching that lit the world on fire in the 18th century.
Chadwick's Symphony No. 2 is a notable romantic work that showcases a distinctly American sound, predating Dvorak's renowned "From the New World" by nearly a decade. Originally published in 1888, it holds the distinction of being the first American symphony released in full score without a subscription. The symphony, lasting 35 minutes, was first performed by the Boston Symphony Orchestra under the composer's direction in 1886, featuring orchestration typical of the era. This digitally enhanced reprint brings renewed attention to Chadwick's contributions to American classical music.
This book is a facsimile reprint of an original antiquarian work, which may include imperfections like marks and notations due to its age. It aims to preserve and promote culturally significant literature by providing a high-quality, accessible edition that remains true to the original text.
Composed between 1893 and 1894, this symphony premiered in Boston under the composer's baton and won first prize at a National Conservatory competition judged by Antonin Dvorak. Spanning 35 minutes, the romantic work garnered acclaim and numerous performances during its initial years but faded from popularity in the 1930s. Recently, it has seen a resurgence of interest. This edition features a digitally enhanced reissue of the original score published in 1896 by Arthur P. Schmidt.
Completed in 1887, this orchestral piece premiered in Boston, gaining popularity across the U.S. and Europe. The score is a digitally enhanced reprint of the original 1891 edition by Arthur P. Schmidt, ensuring high readability and quality. Unlike many current on-demand scores, it features all pages intact and is printed on off-white stock with a quality cover, making it a valuable addition for musicians and collectors alike.
Culturally significant, this reproduction preserves the integrity of the original artifact, including copyright references and library stamps that reflect its historical journey. Scholars recognize its importance to the knowledge base of civilization, making it a valuable resource for understanding cultural heritage. The work aims to provide an authentic experience, allowing readers to engage with the text as it was originally presented.