Rabindranath Tagore Volgorde van de boeken

Excerpt from Glimpses of Bengal: Selected From the Letters of Sir Rabindranath Tagore, 1885 to 1895:It so happened that selected extracts from a large number of such letters found their way back to me years after they had been written. It had been rightly conjectured that they would delight me by bringing to mind the memory of days when, under the shelter of obscurity, I enjoyed the greatest freedom my life has ever known.

"Il canto della vita" è un'antologia che raccoglie i versi più significativi di Tagore composti sui temi a lui più cari: la vita, la morte, Dio, il dolore, la gioia. Il poeta celebra soprattutto l'amore, con sensibilità tutta orientale: una sintesi di amante e amato, vicina a Dio o identificabile con Dio stesso, un sentimento tormentoso e insieme vitale, che muove energie che investono la realtà intera e il cosmo. Come ha scritto W.B. Yeats, Tagore, al pari della civiltà indiana, ha realizzato la sua pienezza nello scoprire l'anima e nell'abbandonarsi alla sua spontaneità.

The Bengali poet Rabindranath Tagore (1861-1941) received the Nobel Prize for Literature in 1913 primarily for Gitanjali, parts of which he had rendered into the lucid, grave English prose of prayer. This title emulates the grandeur and lightness of movement of these wonderful song-poems. schovat popis

Renowned for reshaping Bengali literature and music, this influential figure was a poet, writer, composer, philosopher, and painter. His work, particularly the acclaimed Gitanjali, features deeply sensitive and beautiful verse, earning him the Nobel Prize in Literature in 1913 as the first non-European laureate. While his poetic songs are celebrated for their spiritual depth, his elegant prose and magical poetry remain lesser-known beyond Bengal. Often called "the Bard of Bengal," he played a pivotal role in the emergence of Contextual Modernism in Indian art.

Poet, novelist, painter and musician, Rabindranath Tagore (1861-1941) is the grand master of Bengali culture. Written during the 1890s, the stories in this collection recreate vivid images of Bengali life and landscapes in their depiction of peasantry and gentry, casteism, corrupt officaldom and dehumanizing poverty.