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Jane Stadler

    Jane Stadler onderzoekt de kruispunten van verhalende film, ethiek en intersubjectieve ervaring. Haar werk duikt in de manieren waarop cinematografische verhalen onze percepties van onszelf en anderen vormen. Ze benadrukt de ethische implicaties van filmtechnieken en hoe deze ons begrip van de wereld kunnen beïnvloeden. Stadler draagt bij aan een diepere waardering voor de kracht van film als medium.

    Imagined Landscapes
    • Imagined Landscapes

      • 238bladzijden
      • 9 uur lezen
      5,0(1)Tarief

      Imagined Landscapes teams geocritical analysis with digital visualization techniques to map and interrogate films, novels, and plays in which space and place figure prominently. Drawing upon A Cultural Atlas of Australia, a database-driven interactive digital map that can be used to identify patterns of representation in Australia’s cultural landscape, the book presents an integrated perspective on the translation of space across narrative forms and pioneers new ways of seeing and understanding landscape. It offers fresh insights on cultural topography and spatial history by examining the technical and conceptual challenges of georeferencing fictional and fictionalized places in narratives. Among the items discussed are Wake in Fright, a novel by Kenneth Cook, adapted iconically to the screen and recently onto the stage; the Australian North as a mythic space; spatial and temporal narrative shifts in retellings of the story of Alexander Pearce, a convict who gained notoriety for resorting to cannibalism after escaping from a remote Tasmanian penal colony; travel narratives and road movies set in Western Australia; and the challenges and spatial politics of mapping spaces for which there are no coordinates.

      Imagined Landscapes