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David Lloyd Dusenbury

    Platonic Legislations
    The Innocence of Pontius Pilate: How the Roman Trial of Jesus Shaped History
    The Innocence of Pontius Pilate
    I Judge No One
    • Why was Jesus, who said 'I judge no one', put to death for a political crime? Of course, this is a historical question--but it is not only historical. Jesus's life became a philosophical theme in the first centuries of our era, when 'pagan' and Christian philosophers clashed over the meaning of his sayings and the significance of his death. Modern philosophers, too, such as Immanuel Kant and Friedrich Nietzsche, have tried to retrace the arc of Jesus's life and death. I Judge No One is a philosophical reading of the four memoirs, or 'gospels', that were fashioned by early Christ-believers and collected in the New Testament. It offers original ways of seeing a deeply enigmatic figure who calls himself the Son of Humankind. David Lloyd Dusenbury suggests that Jesus offered his contemporaries a scandalous double claim. First, that human judgements are pervasive and deceptive; and second, that even divine laws can only be fulfilled in the human experience of love. Though his life led inexorably to a grim political death, what Jesus's sayings revealed--and still reveal--is that our highest desires lie beyond the political.

      I Judge No One
    • The gospels and the first-century historians agree: Jesus was sentenced to death by Pontius Pilate, the Roman imperial prefect in Jerusalem. To this day, Christians of all churches confess that Jesus died 'under Pontius Pilate'. But what exactly does that mean? Within decades of Jesus' death, Christians began suggesting that it was the Judaean authorities who had crucified Jesus--a notion later echoed in the Qur'an. In the third century, one philosopher raised the notion that, although Pilate had condemned Jesus, he'd done so justly; this idea survives in one of the main strands of modern New Testament criticism. So what is the truth of the matter? And what is the history of that truth? David Lloyd Dusenbury reveals Pilate's 'innocence' as not only a neglected theological question, but a recurring theme in the history of European political thought. He argues that Jesus' interrogation by Pilate, and Augustine of Hippo's North African sermon on that trial, led to the concept of secularity and the logic of tolerance emerging in early modern Europe. Without the Roman trial of Jesus, and the arguments over Pilate's innocence, the history of empire--from the first century to the twenty- first--would have been radically different.

      The Innocence of Pontius Pilate
    • The examination of Pontius Pilate's role in Jesus' crucifixion reveals complex theological and historical implications. David Lloyd Dusenbury explores how early Christian interpretations shifted blame from Roman to Judaean authorities and how Pilate's perceived innocence sparked debates that influenced European political thought. He posits that the trial of Jesus and Augustine's reflections contributed significantly to the development of secularity and tolerance in early modern Europe, suggesting that the narrative surrounding Pilate has shaped the trajectory of empire throughout history.

      The Innocence of Pontius Pilate: How the Roman Trial of Jesus Shaped History
    • Platonic Legislations

      An Essay on Legal Critique in Ancient Greece

      "This book discusses how Plato, one the fiercest legal critics in ancient Greece, became-in the longue durée-its most influential legislator. Making use of a vast scholarly literature, and offering original readings of a number of dialogues, it argues that the need for legal critique and the desire for legal permanence set the long arc of Plato's corpus-from the Apology to the Laws. Modern philosophers and legal historians have tended to overlook the fact that Plato was the most prolific legislator in ancient Greece. In the pages of his Republic and Laws, he drafted more than 700 statutes. This is more legal material than can be credited to the archetypal Greek legislators-Lycurgus, Draco, and Solon. The status of Plato's laws is unique, since he composed them for purely hypothetical cities. And remarkably, he introduced this new genre by writing hard-hitting critiques of the Greek ideal of the sovereignty of law. Writing in the milieu in which immutable divine law vied for the first time with volatile democratic law, Plato rejected both sources of law, and sought to derive his laws from what he called 'political technique' (politikê technê). At the core of this technique is the question of how the idea of justice relates to legal and institutional change. Filled with sharp observations and bold claims, Platonic Legislations shows that it is possible to see Plato-and our own legal culture-in a new light." --publisher's description

      Platonic Legislations