The book delves into the complex history of art looted by the Nazis during World War II, focusing on pieces that were never returned to their original owners. It highlights how postwar governments in France, Belgium, and the Netherlands appropriated these artworks for display in various public institutions, raising questions about ownership, restitution, and the ethical implications of such claims. Through this exploration, it sheds light on the ongoing debates surrounding cultural heritage and the legacy of wartime theft.
