Laurent Binet Boeken

Nazikopstuk Reinhard Heydrich, alias "de beul van Praag" en "het blonde beest", is uitvinder en uitvoerder van de Shoah, en een van de meest wrede nazi's die het Derde Rijk kende. Hij was de chef van Eichmann en de rechterhand van Himmler. Bij de SS noemden ze hem 'HhhH': "Himmlers hersens heten Heydrich". In mei 1942 wordt hij in Praag in zijn open Mercedes getroffen door een granaat. De gevolgen zijn meedogenloos: de granaat is geworpen door de Tsjechische parachutist Jan Kubis, en als represaille worden twee Tsjechische dorpen met de grond gelijkgemaakt, honderden mannen standrechtelijk geexecuteerd en duizenden vrouwen en kinderen afgevoerd en vergast. Alle personages die in dit boek voorkomen hebben bestaan of bestaan nog steeds. Alle feiten die worden verteld zijn waargebeurd. Maar achter de voorbereidingen van de aanslag vindt een andere strijd plaats: die tussen fictie en werkelijkheid.

From the prizewinning author of HHhH, “the most insolent novel of the year” (L’Express) comes a romp through the French intelligentsia of the twentieth century. Paris, 1980. The literary critic Roland Barthes dies—struck by a laundry van—after lunch with the presidential candidate François Mitterand. The world of letters mourns a tragic accident. But what if it wasn’t an accident at all? What if Barthes was . . . murdered? In The Seventh Function of Language, Laurent Binet spins a madcap secret history of the French intelligentsia, starring such luminaries as Jacques Derrida, Umberto Eco, Gilles Deleuze, Michel Foucault, Judith Butler, and Julia Kristeva—as well as the hapless police detective Jacques Bayard, whose new case will plunge him into the depths of literary theory (starting with the French version of Roland Barthes for Dummies). Soon Bayard finds himself in search of a lost manuscript by the linguist Roman Jakobson on the mysterious “seventh function of language.” A brilliantly erudite comedy, The Seventh Function of Language takes us from the cafés of Saint-Germain to the corridors of Cornell University, and into the duels and orgies of the Logos Club, a secret philosophical society that dates to the Roman Empire. Binet has written both a send-up and a wildly exuberant celebration of the French intellectual tradition.

An ambitious and highly entertaining novel of revisionist history from the author of the international bestseller HHhH, Laurent Binet’s Civilizations is nothing less than a strangely believable counterfactual history of the modern world, fizzing with ideas about colonization, empire building, and the eternal human quest for domination. It is an electrifying novel by one of Europe’s most exciting writers. C. 1000 CE: Erik the Red’s daughter heads south from Greenland 1492: Columbus does not discover America 1531: The Incas invade Europe Freydis is the leader of a band of Viking warriors who get as far as Panama. Nobody knows what became of them . . . Five hundred years later, Christopher Columbus is sailing for the Americas, dreaming of gold and conquest. Even after he is captured by the Taínos, his faith in his superiority and his mission is unshaken. Thirty-nine years after that, Atahualpa, the last Inca emperor, arrives in Europe. What does he find? The Spanish Inquisition, the Reformation, capitalism, the miracle of the printing press, endless warmongering between the ruling monarchies, and constant threat from the Turks. But most of all, downtrodden populations ready for revolution. Fortunately, he has a recent guidebook to acquiring power—Machiavelli’s The Prince. It turns out he is very good at it. So, the stage is set for a Europe ruled by Incas and for a great war that will change history forever.

Set in Florence during the early morning of New Year's Day 1557, the story unfolds with the shocking discovery of a painter murdered in a church. As the investigation begins, the narrative delves into the intrigue of Renaissance art, the complexities of human relationships, and the dark secrets that lie beneath the surface of a vibrant city. The unfolding mystery reveals the interplay between creativity and jealousy, painting a vivid picture of the era's cultural landscape.